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Traetta, Tommaso

Traetta, Tommaso

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

更多資訊

樂譜

演奏錄音

樂譜

Stabat mater
Stabat mater

Public Domain

Manuscript, n.d.

出版社

Manuscript, n.d.

其他備註

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

著作權

Complete Score

Holograph manuscript, n.d.[1767].

出版社

Holograph manuscript, n.d.[1767].

其他備註

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

著作權

Complete Score

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

校訂者

出版社

Stefano Paparozzi, 2022.

其他備註

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

著作權

Complete Score

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

更多資訊

Manuscript, n.d.

出版社

Manuscript, n.d.

其他備註

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

著作權

Holograph manuscript, n.d.[1767].

出版社

Holograph manuscript, n.d.[1767].

其他備註

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

著作權

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

校訂者

出版社

Stefano Paparozzi, 2022.

其他備註

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

著作權