樂譜
演奏錄音
樂譜
Edition Peters, 1923.
出版社
Leipzig: Edition Peters, 1923. Plate 10362.
Carl Nielsen Udgaven / Kongelige Bibliotek, 2004.
出版社
Vaerker, Series II, No.10
Copenhagen: Carl Nielsen Udgaven / Kongelige Bibliotek, 2004.
Made available by courtesy of DCM.
© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has released the file for distribution under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
Copenhagen: Carl Nielsen Udgaven / Kongelige Bibliotek, 2004.
Made available by courtesy of DCM.
However, the lawful copyright owner has released the file for distribution under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
其他備註
Digital release of already printed volumes
Worth checking their accompanying critical report to see whether "sentimento" is indeed correct for the heading of the second movement; it seems everyone else has sentimentio, presumably attributing it to Nielsen's penchant for unusual movement headers... but as with an infamous instruction in the first (posthumous) full score of Symphony 5, this whole Nielsen edition has been a good opportunity to start getting things right that have traditionally been gotten wrong... Likewise the third movement here and innocente.
Worth checking their accompanying critical report to see whether "sentimento" is indeed correct for the heading of the second movement; it seems everyone else has sentimentio, presumably attributing it to Nielsen's penchant for unusual movement headers... but as with an infamous instruction in the first (posthumous) full score of Symphony 5, this whole Nielsen edition has been a good opportunity to start getting things right that have traditionally been gotten wrong... Likewise the third movement here and innocente.
Edition Peters, 1923.
出版社
Leipzig: Edition Peters, 1923. Plate 10362.
Carl Nielsen Udgaven / Kongelige Bibliotek, 2004.
出版社
Vaerker, Series II, No.10
Copenhagen: Carl Nielsen Udgaven / Kongelige Bibliotek, 2004.
Made available by courtesy of DCM.
© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has released the file for distribution under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
Copenhagen: Carl Nielsen Udgaven / Kongelige Bibliotek, 2004.
Made available by courtesy of DCM.
However, the lawful copyright owner has released the file for distribution under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
其他備註
Digital release of already printed volumes
Worth checking their accompanying critical report to see whether "sentimento" is indeed correct for the heading of the second movement; it seems everyone else has sentimentio, presumably attributing it to Nielsen's penchant for unusual movement headers... but as with an infamous instruction in the first (posthumous) full score of Symphony 5, this whole Nielsen edition has been a good opportunity to start getting things right that have traditionally been gotten wrong... Likewise the third movement here and innocente.
Worth checking their accompanying critical report to see whether "sentimento" is indeed correct for the heading of the second movement; it seems everyone else has sentimentio, presumably attributing it to Nielsen's penchant for unusual movement headers... but as with an infamous instruction in the first (posthumous) full score of Symphony 5, this whole Nielsen edition has been a good opportunity to start getting things right that have traditionally been gotten wrong... Likewise the third movement here and innocente.