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Kram, Richard

A Comparison of Digital and Sampled Harpsichords

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樂譜

演奏錄音

樂譜

A Comparison of Digital and Sampled Harpsichords
A Comparison of Digital and Sampled Harpsichords

Creative Commons Attribution Non-commercial Share Alike 3.0

Richard Kram.

校訂者

Richard Kram

出版社

Richard Kram

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Test #1. Fully notated version of the Scarlatti control used in the comparison

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Creative Commons Attribution Non-commercial Share Alike 3.0

Scarlatti K96 - Embellished for MIDI Performance

A Comparison of Digital and Sampled Harpsichords
A Comparison of Digital and Sampled Harpsichords

Richard Kram.

校訂者

Richard Kram

出版社

Richard Kram

其他備註

Test #2. Slower comparison to better compare tone and voices. AABB form where I embellished the repeated sections (perhaps more than would be done, but I wanted to create more linear motion in the repeats for a better comparison). The sound files will use different sampled instrument settings for the repeated sections when available to see the variety in the sample set. All files will be played at the same consistent MIDI velocity and volume to better simulate the constant volume of the harpsichord (otherwise MIDI harpsichords will typically change volume to MIDI changes). All .WAV files normalized to -5 dB before final processing to .mp3.

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Buxtehude, Sarabande (BuxWV 236)
Repeated sections are embellished variations

A Comparison of Digital and Sampled Harpsichords

更多資訊

A Comparison of Digital and Sampled Harpsichords
A Comparison of Digital and Sampled Harpsichords

Creative Commons Attribution Non-commercial Share Alike 3.0

Richard Kram.

校訂者

Richard Kram

出版社

Richard Kram

其他備註

Test #1. Fully notated version of the Scarlatti control used in the comparison

著作權

Creative Commons Attribution Non-commercial Share Alike 3.0

A Comparison of Digital and Sampled Harpsichords
A Comparison of Digital and Sampled Harpsichords

Richard Kram.

校訂者

Richard Kram

出版社

Richard Kram

其他備註

Test #2. Slower comparison to better compare tone and voices. AABB form where I embellished the repeated sections (perhaps more than would be done, but I wanted to create more linear motion in the repeats for a better comparison). The sound files will use different sampled instrument settings for the repeated sections when available to see the variety in the sample set. All files will be played at the same consistent MIDI velocity and volume to better simulate the constant volume of the harpsichord (otherwise MIDI harpsichords will typically change volume to MIDI changes). All .WAV files normalized to -5 dB before final processing to .mp3.

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