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Tchaikovsky, Pyotr

Tchaikovsky, Pyotr

Suite No.2, Op.53

1883

•

5 movements

更多資訊

樂譜

演奏錄音

總譜

Suite No.2, Op.53
Suite No.2, Op.53

Public Domain

P. Jurgenson, n.d.[1884].

校訂者

First edition

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作權

Complete Score

P. Jurgenson, n.d.[1884].

校訂者

First edition (reprint)

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作權

Complete Score

Muzgiz, 1948.

校訂者

其他備註

Includes an appendix (from p. 212) with extracts from the last 3 movements that appear in the autograph score but not the printed editions. ("Tchaikovsky Research: Jurgenson's engravers' markings in both manuscripts shows that they [the cuts, which amount to 327 bars in all, discovered by a comparison by editor Karpov) must have been made after the suite was originally engraved").

著作權

Complete Score

Suite No.2, Op.53
Suite No.2, Op.53

Public Domain (dedicated)

Brandon Amaro, 2025.

校訂者

Brandon Amaro (b. 1984)

出版社

Brandon Amaro, 2025.

著作權

Public Domain (dedicated)

Complete Score

Suite No.2, Op.53

1883

•

5 movements

更多資訊

P. Jurgenson, n.d.[1884].

校訂者

First edition

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作權

P. Jurgenson, n.d.[1884].

校訂者

First edition (reprint)

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作權

Muzgiz, 1948.

校訂者

其他備註

Includes an appendix (from p. 212) with extracts from the last 3 movements that appear in the autograph score but not the printed editions. ("Tchaikovsky Research: Jurgenson's engravers' markings in both manuscripts shows that they [the cuts, which amount to 327 bars in all, discovered by a comparison by editor Karpov) must have been made after the suite was originally engraved").

著作權

Suite No.2, Op.53
Suite No.2, Op.53

Public Domain (dedicated)

Brandon Amaro, 2025.

校訂者

Brandon Amaro (b. 1984)

出版社

Brandon Amaro, 2025.

著作權

Public Domain (dedicated)