For orchestra
樂譜
改編譜
Carl Fischer, 1919.
編曲者
Charles J. Roberts (1868-1957)
出版社
New York: Carl Fischer, 1919. Plates 02356–7.
其他備註
Instrumentation: flute, 2 oboes, 2 clarinets in B♭, 2 bassoons, 4 horns in F, 2 trumpets in B♭, 4 trombones, tuba, timpani, percussion, strings.
It is unclear how this arrangement differs from the original orchestration.
This file is part of the Sibley Mirroring Project.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
It is unclear how this arrangement differs from the original orchestration.
This file is part of the Sibley Mirroring Project.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
本頁內容
For orchestra
For orchestra
For orchestra
For orchestra
Carl Fischer, 1919.
編曲者
Charles J. Roberts (1868-1957)
出版社
New York: Carl Fischer, 1919. Plates 02356–7.
其他備註
Instrumentation: flute, 2 oboes, 2 clarinets in B♭, 2 bassoons, 4 horns in F, 2 trumpets in B♭, 4 trombones, tuba, timpani, percussion, strings.
It is unclear how this arrangement differs from the original orchestration.
This file is part of the Sibley Mirroring Project.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
It is unclear how this arrangement differs from the original orchestration.
This file is part of the Sibley Mirroring Project.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.