Complete
樂譜
演奏錄音
樂譜
Breitkopf & Härtel, 1881.
校訂者
Franz Xaver Haberl (1840–1910)
出版社
Opera omnia Ioannis Petraloysii Praenestini, Vol.XII (pp.50-65)
Leipzig: Breitkopf & Härtel, 1881. Plate 15835.
Leipzig: Breitkopf & Härtel, 1881. Plate 15835.
其他備註
This file is part of the Submission Project.
dall’Istituto Italiano per la Storia della Musica, (1939).
校訂者
Raffaele Casimiri (1880–1943)
出版社
Le Opere Complete di Giovanni Pierluigi da Palestrina, Vol.6
Rome: dall’Istituto Italiano per la Storia della Musica, (1939).
Rome: dall’Istituto Italiano per la Storia della Musica, (1939).
Simon Albrecht, Freiburg 2017.
出版社
Simon Albrecht, Freiburg 2017
其他備註
Music typeset with LilyPond 2.19.80.
In the 16th century, scores were written with full bar lines and splitting notes across them using ties; however the 20th-century Mensurstriche layout may be considered more appropriate musically. So both versions are provided, each in the original key as well as transposed to better suit SATB choirs.
Gervais Frykman.
Benedictus (No.5)
Benedictus (No.5)
Creative Commons Attribution Non-commercial Share Alike 3.0
Jürgen Fleck.
校訂者
出版社
Jürgen Fleck
其他備註
These file(s) are part of the Werner Icking Music Collection.
著作權
Creative Commons Attribution Non-commercial Share Alike 3.0
本頁內容
完成
Complete
Complete
Breitkopf & Härtel, 1881.
校訂者
Franz Xaver Haberl (1840–1910)
出版社
Opera omnia Ioannis Petraloysii Praenestini, Vol.XII (pp.50-65)
Leipzig: Breitkopf & Härtel, 1881. Plate 15835.
Leipzig: Breitkopf & Härtel, 1881. Plate 15835.
其他備註
This file is part of the Submission Project.
Complete
Complete
dall’Istituto Italiano per la Storia della Musica, (1939).
校訂者
Raffaele Casimiri (1880–1943)
出版社
Le Opere Complete di Giovanni Pierluigi da Palestrina, Vol.6
Rome: dall’Istituto Italiano per la Storia della Musica, (1939).
Rome: dall’Istituto Italiano per la Storia della Musica, (1939).
Complete
Complete
Simon Albrecht, Freiburg 2017.
出版社
Simon Albrecht, Freiburg 2017
其他備註
Music typeset with LilyPond 2.19.80.
In the 16th century, scores were written with full bar lines and splitting notes across them using ties; however the 20th-century Mensurstriche layout may be considered more appropriate musically. So both versions are provided, each in the original key as well as transposed to better suit SATB choirs.
Complete
Complete
Gervais Frykman.
Benedictus (No.5)
Benedictus (No.5)
Benedictus (No.5)
Benedictus (No.5)
Creative Commons Attribution Non-commercial Share Alike 3.0
Jürgen Fleck.
校訂者
出版社
Jürgen Fleck
其他備註
These file(s) are part of the Werner Icking Music Collection.
著作權
Creative Commons Attribution Non-commercial Share Alike 3.0