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Traetta, Tommaso

Traetta, Tommaso

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

更多信息

乐谱

演奏录音

乐谱

Stabat mater
Stabat mater

Public Domain

Manuscript, n.d.

出版社

Manuscript, n.d.

其他说明

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

Complete Score

Holograph manuscript, n.d.[1767].

出版社

Holograph manuscript, n.d.[1767].

其他说明

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

Complete Score

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

校订者

出版社

Stefano Paparozzi, 2022.

其他说明

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

版权

Complete Score

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

更多信息

Manuscript, n.d.

出版社

Manuscript, n.d.

其他说明

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

Holograph manuscript, n.d.[1767].

出版社

Holograph manuscript, n.d.[1767].

其他说明

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594
Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

校订者

出版社

Stefano Paparozzi, 2022.

其他说明

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

版权