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Graupner, Christoph

Bassoon Concerto in C minor, GWV 307

1744

•

4 movements

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乐谱

演奏录音

总谱

Bassoon Concerto in C minor, GWV 307

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Bassoon Concerto in C minor, GWV 307

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Public Domain

Bärenreiter, 1957.

校订者

Friedrich Noack (1890–1958)

出版社

Kassel: Bärenreiter, 1957. Plate BA 3233.

重印

Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.

Complete Score

Autograph manuscript, n.d.(ca.1744).

出版社

Autograph manuscript, n.d.(ca.1744).

Complete Score

Bassoon Concerto in C minor, GWV 307
Bassoon Concerto in C minor, GWV 307

Creative Commons Attribution Non-commercial Share Alike 3.0

Richard Kram.

校订者

出版社

Richard Kram

其他说明

Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.

版权

Creative Commons Attribution Non-commercial Share Alike 3.0

Complete Score - Urtext

Complete Score - with Continuo Realization

Bassoon Concerto in C minor, GWV 307

1744

•

4 movements

更多信息

Bassoon Concerto in C minor, GWV 307

馆员精选

Bassoon Concerto in C minor, GWV 307

馆员精选

Bärenreiter, 1957.

校订者

Friedrich Noack (1890–1958)

出版社

Kassel: Bärenreiter, 1957. Plate BA 3233.

重印

Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.

Autograph manuscript, n.d.(ca.1744).

出版社

Autograph manuscript, n.d.(ca.1744).
Bassoon Concerto in C minor, GWV 307
Bassoon Concerto in C minor, GWV 307

Creative Commons Attribution Non-commercial Share Alike 3.0

Richard Kram.

校订者

出版社

Richard Kram

其他说明

Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.

版权

Creative Commons Attribution Non-commercial Share Alike 3.0