Complete
乐谱
演奏录音
乐谱
Bärenreiter, 1950.
校订者
August Wenzinger (1905–1996)
出版社
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.24-33)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
其他说明
Score redacted to exclude editorial fingerings and bowings.
Bärenreiter Verlag, 1988.
校订者
Hans Eppstein (1911–2008)
出版社
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.22-31, 74-83)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
其他说明
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Breitkopf und Härtel, 1879.
校订者
Alfred Dörffel (1821–1905)
出版社
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.74-80)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
重印
Mineola: Dover Publications, 1988.
Breitkopf und Härtel, n.d.(ca.1900).
校订者
Julius Klengel (1859–1933)
出版社
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
C.F. Peters, No. 238, n.d.(ca.1911).
校订者
Hugo Becker (1863–1941)
出版社
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Francois Salabert S.A., 1929.
校订者
Diran Alexanian (1881–1954)
出版社
Six Suites pour Violoncelle seul No.4 (pp.35-49)
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
本页内容
完成
Complete
Complete
Bärenreiter, 1950.
校订者
August Wenzinger (1905–1996)
出版社
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.24-33)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
其他说明
Score redacted to exclude editorial fingerings and bowings.
Complete
Complete
Bärenreiter Verlag, 1988.
校订者
Hans Eppstein (1911–2008)
出版社
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.22-31, 74-83)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
其他说明
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Complete
Complete
Breitkopf und Härtel, 1879.
校订者
Alfred Dörffel (1821–1905)
出版社
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.74-80)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
重印
Mineola: Dover Publications, 1988.
Complete
Complete
Breitkopf und Härtel, n.d.(ca.1900).
校订者
Julius Klengel (1859–1933)
出版社
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Complete
Complete
C.F. Peters, No. 238, n.d.(ca.1911).
校订者
Hugo Becker (1863–1941)
出版社
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Complete
Complete
Francois Salabert S.A., 1929.
校订者
Diran Alexanian (1881–1954)
出版社
Six Suites pour Violoncelle seul No.4 (pp.35-49)
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Complete
Complete
Breitkopf und Härtel, 2000.
校订者
Kirsten Beißwenger (1960–2013)
出版社
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.26-35)
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Complete
Complete
Shin-Itchiro Yokoyama.
出版社
Shin-Itchiro Yokoyama
其他说明
Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
See also Editor's Notes
See also Editor's Notes
Complete
Complete
Public Domain (dedicated)
Cellofun.eu, 2021.
校订者
出版社
Cellofun.eu, 2021.
其他说明
Here, the four known manuscript sources have been typeset and laid out in score format principally in order to make for an easy comparison of the bowings (slurs). This is not an academic, scholarly work, in the sense that there are a few typos (note errors) and not all of the minor differences in notes and rhythms between the different manuscripts have been reproduced. We have however tried to reproduce as closely as possible the ambiguities in the placements and shapes of the slurs of the original manuscripts. Two playing editions are also offered: an Edited one (with fingering and bowing suggestions) and a Clean Version (with nothing but the notes). For best results, print on A4 paper with no margins. For more information see cellofun.eu
版权
Public Domain (dedicated)
Complete
Complete
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Joseba Berrocal, 2026.
出版社
Joseba Berrocal, 2026.
其他说明
Transposed to C major for a best sonority involving open strings. Using Sources AMB, Kellner & Traeg.
Prelude (No.1)
Prelude (No.1)
Prelude (No.1)
Prelude (No.1)
Edizioni Migliori, 2022.