imslp logoimslp logo
Lekeu, Guillaume

Lekeu, Guillaume

String Quartet

•

6 movements

更多信息

乐谱

演奏录音

总谱与分谱

String Quartet
String Quartet

Creative Commons Attribution Non-commercial No Derivatives 3.0

S. Schwarz, 2005.

抄谱员

S. Schwarz

出版社

Copenhagen: S. Schwarz, 2005.

重印

London: Merton Music, No. 4802, n.d.[1996-2010].

其他说明

This file is part of the Merton-Ourtext Project.

版权

Creative Commons Attribution Non-commercial No Derivatives 3.0

Complete Parts

String Quartet
String Quartet

Stefano Paparozzi, 2023.

校订者

出版社

Stefano Paparozzi, 2023.

其他说明

This is not a scientific critical edition, it's just an engraving made for study purpose. The main source used is the parts available on IMSLP (Copenhagen: S. Schwarz, 2005. London: Merton Music, No.4802). Minor ubiquitous incoherences bewteen parts (in dynamics and slurs, for example) have been retained. No major correction have been needed. The only issuue emerged in mv.VI, mm.194-205, where different time measures are superimposed (not clearly in parts), and in mm.206-217, where Vln.II and Cello are tacent, in spite of previous statement of the same theme (and here restored also according with the recording by Quatuor Debussy)

版权

Complete Score

String Quartet

6 movements

更多信息

String Quartet
String Quartet

Creative Commons Attribution Non-commercial No Derivatives 3.0

S. Schwarz, 2005.

抄谱员

S. Schwarz

出版社

Copenhagen: S. Schwarz, 2005.

重印

London: Merton Music, No. 4802, n.d.[1996-2010].

其他说明

This file is part of the Merton-Ourtext Project.

版权

Creative Commons Attribution Non-commercial No Derivatives 3.0

String Quartet
String Quartet

Stefano Paparozzi, 2023.

校订者

出版社

Stefano Paparozzi, 2023.

其他说明

This is not a scientific critical edition, it's just an engraving made for study purpose. The main source used is the parts available on IMSLP (Copenhagen: S. Schwarz, 2005. London: Merton Music, No.4802). Minor ubiquitous incoherences bewteen parts (in dynamics and slurs, for example) have been retained. No major correction have been needed. The only issuue emerged in mv.VI, mm.194-205, where different time measures are superimposed (not clearly in parts), and in mm.206-217, where Vln.II and Cello are tacent, in spite of previous statement of the same theme (and here restored also according with the recording by Quatuor Debussy)

版权