Sheet music
Books
Giusseppe Antonio Silvani, 1722.
Publisher
Bologna: Giusseppe Antonio Silvani, 1722.
Copyright
Antonio Bortoli, 1764.
Yale University Press, 1963.
Editor
David L. Burrows (1930–2019)
Richard L. Crocker (1927–2021), foreword
Richard L. Crocker (1927–2021), foreword
Language
English
Translator
Frank Stuart Stillings (1921–1994), English text
Publisher
New Haven, Conn.: Yale University Press, 1963.
Misc. Notes
Published as The Practical Harmonist at the Harpsichord.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Copyright
Giusseppe Antonio Silvani, 1722.
Publisher
Bologna: Giusseppe Antonio Silvani, 1722.
Copyright
Antonio Bortoli, 1764.
Yale University Press, 1963.
Editor
David L. Burrows (1930–2019)
Richard L. Crocker (1927–2021), foreword
Richard L. Crocker (1927–2021), foreword
Language
English
Translator
Frank Stuart Stillings (1921–1994), English text
Publisher
New Haven, Conn.: Yale University Press, 1963.
Misc. Notes
Published as The Practical Harmonist at the Harpsichord.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Copyright