40 Études mélodiques et progressives, Op.31
40 Exercises in 2 suites
More information
Sheet music
Performances
Scores
A. Aulagnier, n.d.[1843].
Editor
First edition
Publisher
Paris: A. Aulagnier, n.d.[1843]. Plate A.A. 832, 833.
Misc. Notes
Original images: ca.400dpi, color jpg files approx. 4280 by 5630 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. This file is based on high-resolution images obtained from the source using a method explained on this page. Sadly, a very rough copy.
Copyright
Schirmer, 1902.
Editor
Leo Schulz (1865–1944)
Publisher
New York: Schirmer, 1902. Plate 15659.
Misc. Notes
Contains major cuts in numbers 10, 14, and 22. Some passages are recomposed by Hugo Becker to accommodate the cuts. Passages recomposed in number 11.
Copyright
Carl Fischer, 1907.
Editor
Hugo Becker (1863–1941)
Publisher
New York: Carl Fischer, 1907. Plate 10763-28.
Misc. Notes
Contains major cuts in numbers 24, 28, 29, 35, and 36. Some passages are recomposed by Hugo Becker to accommodate the cuts.
Copyright
40 Études mélodiques et progressives, Op.31
40 Exercises in 2 suites
More information
A. Aulagnier, n.d.[1843].
Editor
First edition
Publisher
Paris: A. Aulagnier, n.d.[1843]. Plate A.A. 832, 833.
Misc. Notes
Original images: ca.400dpi, color jpg files approx. 4280 by 5630 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. This file is based on high-resolution images obtained from the source using a method explained on this page. Sadly, a very rough copy.
Copyright
Schirmer, 1902.
Editor
Leo Schulz (1865–1944)
Publisher
New York: Schirmer, 1902. Plate 15659.
Misc. Notes
Contains major cuts in numbers 10, 14, and 22. Some passages are recomposed by Hugo Becker to accommodate the cuts. Passages recomposed in number 11.
Copyright
Carl Fischer, 1907.
Editor
Hugo Becker (1863–1941)
Publisher
New York: Carl Fischer, 1907. Plate 10763-28.
Misc. Notes
Contains major cuts in numbers 24, 28, 29, 35, and 36. Some passages are recomposed by Hugo Becker to accommodate the cuts.
Copyright