For piano solo
Sheet music
Arrangements and Transcriptions
5
Performances
Commercial Recordings
6
Arrangements and Transcriptions
Hugo Thiemer, n.d.1888 .
Engraver
Leipzig: C.G. Röder.
Publisher
Hamburg: Hugo Thiemer, n.d.1888 . Plate 122.
Misc. Notes
Original images: ca.300dpi, color tif (from pdf) files approx. 3310 by 4200 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
Copyright
Hugo Thiemer, n.d.
Publisher
Berlin: Hugo Thiemer, n.d.
Reprinted
Sang und Klang im XIX. und XX. Jahrhundert Vol.4
Berlin: Neufeld u. Henius, n.d. (ca.1910). Plate 4.
Berlin: Neufeld u. Henius, n.d. (ca.1910). Plate 4.
Copyright
Anton J. Benjamin, 1927.
Publisher
Leipzig: Anton J. Benjamin, 1927. Plate A.J.B. 4406.
Misc. Notes
includes extensive Fetras opus list on final page, high quality scan,
Copyright
For soprano, tenor and piano
For soprano, tenor and piano
Walter F. Zielke.
For orchestra
For orchestra
Anton J. Benjamin, 1932.
On this page
For piano solo
For piano solo
For piano solo
For piano solo
Hugo Thiemer, n.d.1888 .
Engraver
Leipzig: C.G. Röder.
Publisher
Hamburg: Hugo Thiemer, n.d.1888 . Plate 122.
Misc. Notes
Original images: ca.300dpi, color tif (from pdf) files approx. 3310 by 4200 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
Copyright
For piano solo
For piano solo
Hugo Thiemer, n.d.
Publisher
Berlin: Hugo Thiemer, n.d.
Reprinted
Sang und Klang im XIX. und XX. Jahrhundert Vol.4
Berlin: Neufeld u. Henius, n.d. (ca.1910). Plate 4.
Berlin: Neufeld u. Henius, n.d. (ca.1910). Plate 4.
Copyright
For piano solo
For piano solo
Anton J. Benjamin, 1927.
Publisher
Leipzig: Anton J. Benjamin, 1927. Plate A.J.B. 4406.
Misc. Notes
includes extensive Fetras opus list on final page, high quality scan,
Copyright
For soprano, tenor and piano
For soprano, tenor and piano
For soprano, tenor and piano
For soprano, tenor and piano
Walter F. Zielke.
For orchestra
For orchestra
For orchestra
For orchestra
Anton J. Benjamin, 1932.