Original version, Wq.30
Orfeo ed Euridice, Wq.30
More information
Sheet music
Full Scores
14
Parts
6
Vocal Scores
12
Arrangements and Transcriptions
28
Librettos
3
Performances
Recordings
3
Accompaniments
1
Synthesized/MIDI
7
Videos
1
Commercial Recordings
117
Full Scores
Manuscript, n.d.[1762?].
Language
Italian
Publisher
Manuscript, n.d.[1762?].
Misc. Notes
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Copyright
Manuscript, n.d.
Publisher
Manuscript, n.d.
Misc. Notes
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Copyright
Duchesne, 1764.
Manuscript, 1838-1900.
Publisher
Manuscript, 1838-1900.
Misc. Notes
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Copyright
Österreichischer Bundesverlag, 1914.
Editor
Hermann Abert (1871–1927)
Language
Italian / German
Publisher
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Misc. Notes
This file is part of the Sibley Mirroring Project.
Copyright
Österreichischer Bundesverlag, 1914.
Editor
Hermann Abert (1871–1927)
Language
Italian / German
Publisher
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Reprinted
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Copyright
On this page
Orfeo ed Euridice, Wq.30
More information
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.[1762?].
Language
Italian
Publisher
Manuscript, n.d.[1762?].
Misc. Notes
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Copyright
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.
Publisher
Manuscript, n.d.
Misc. Notes
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Copyright
Original version, Wq.30
Original version, Wq.30
Duchesne, 1764.
Original version, Wq.30
Original version, Wq.30
Manuscript, 1838-1900.
Publisher
Manuscript, 1838-1900.
Misc. Notes
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Copyright
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Editor
Hermann Abert (1871–1927)
Language
Italian / German
Publisher
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Misc. Notes
This file is part of the Sibley Mirroring Project.
Copyright
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Editor
Hermann Abert (1871–1927)
Language
Italian / German
Publisher
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Reprinted
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Copyright
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Editor
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Language
Italian / German
Publisher
Kassel: Bärenreiter, 1962. Plate BA 2294
Copyright
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Editor
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Publisher
Kassel: Bärenreiter, 1962. Plate BA 2294.
Misc. Notes
add missing p.116 to #338237; rescan p.183 of #338237; turn #338237 from greyscale to B&W
Copyright
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, n.d.[1774].
Copyist
Copyist S-Dl-547
Copyist S-Dl-548
Copyist S-Dl-548
Publisher
Manuscript, n.d.[1774].
Misc. Notes
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-13
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Copyright
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, 1773.
Publisher
Manuscript, 1773.
Misc. Notes
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms. 22341
Copyright
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Manuscript, n.d.(ca.1774).
Publisher
Manuscript, n.d.(ca.1774).
Misc. Notes
Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : 27.4.5-7
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Copyright
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Michel Rondeau.
Editor
Publisher
Michel Rondeau
Misc. Notes
These file(s) are part of the Werner Icking Music Collection.
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Creative Commons Attribution Share Alike 3.0
Rutger Hofman.
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Michel Rondeau.
Editor
Publisher
Michel Rondeau
Misc. Notes
These file(s) are part of the Werner Icking Music Collection.