Fantasie in F minor, D.940
More information
Sheet music
Scores
5
Arrangements and Transcriptions
16
Performances
Commercial Recordings
20
Scores
Breitkopf & Härtel, 1888.
Editor
Anton Door (1833–1919)
Publisher
Franz Schubert's Werke, Serie IX. Pianoforte zu vier Händen, No.24 (pp.112-35)
Leipzig: Breitkopf & Härtel, 1888. Plate F.S. 84.
Leipzig: Breitkopf & Härtel, 1888. Plate F.S. 84.
Misc. Notes
Originally scanned at about 160pi, converted to 600dpi monochrome.
Copyright
C.F. Peters, n.d.
Publisher
Leipzig: C.F. Peters, n.d. Plate 10059.
Misc. Notes
This file is part of the Sibley Mirroring Project.
Copyright
Anton Diabelli & Co., n.d.1829 .
Editor
First edition
Publisher
Vienna: Anton Diabelli & Co., n.d.1829 . Plate D. et C. No.3158.
Copyright
Augener, 1926.
Boris Wolfson.
Editor
Willi Kahl (1893–1962)
Boris Wolfson (b. 1975)
Boris Wolfson (b. 1975)
Publisher
Boris Wolfson
Misc. Notes
Typeset using MuseScore with both parts in the same system (primo above secondo) rather than on facing pages, as an aid in learning the score and rehearsing with two performers. In proofreading, text checked against the C.F. Peters edition and the 1986 Henle edition, ed. Willi Kahl.
Fantasie in F minor, D.940
More information
Breitkopf & Härtel, 1888.
Editor
Anton Door (1833–1919)
Publisher
Franz Schubert's Werke, Serie IX. Pianoforte zu vier Händen, No.24 (pp.112-35)
Leipzig: Breitkopf & Härtel, 1888. Plate F.S. 84.
Leipzig: Breitkopf & Härtel, 1888. Plate F.S. 84.
Misc. Notes
Originally scanned at about 160pi, converted to 600dpi monochrome.
Copyright
C.F. Peters, n.d.
Publisher
Leipzig: C.F. Peters, n.d. Plate 10059.
Misc. Notes
This file is part of the Sibley Mirroring Project.
Copyright
Anton Diabelli & Co., n.d.1829 .
Editor
First edition
Publisher
Vienna: Anton Diabelli & Co., n.d.1829 . Plate D. et C. No.3158.
Copyright
Augener, 1926.
Boris Wolfson.
Editor
Willi Kahl (1893–1962)
Boris Wolfson (b. 1975)
Boris Wolfson (b. 1975)
Publisher
Boris Wolfson
Misc. Notes
Typeset using MuseScore with both parts in the same system (primo above secondo) rather than on facing pages, as an aid in learning the score and rehearsing with two performers. In proofreading, text checked against the C.F. Peters edition and the 1986 Henle edition, ed. Willi Kahl.