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Fiedorowicz, Natan

Fiedorowicz, Natan

The earlier 'a', Op.499

2009

•

4 movements

More information

Performances

Recordings

The earlier 'a', Op.499
The earlier 'a', Op.499

Natan Fiedorowicz, 2024.

Performers

Fiedorowicz, Natan (organ, harpsichord, piano, keyboard, harpsichord (synthesised), voice)

Publisher

Natan Fiedorowicz, 2024.

Misc. Notes

first performance. also, voicing here is a bit more slurred than my usual, because i was obediently being drugged around that time - it tended that when i ceased, generally after it was permitted to be voluntarily done, some insight and sharpness would return, to an extent, but it was to be done wisely (the recommendation was against ceasing however, but had i listened to the recommendation, i probably would not have managed to compose most of the works i recently published - it is a deceptive system i found to be destructive to musicians). this work is mostly 'poetry', anyway, so don't take it overly seriously - these days i feel a little better, but it seemed that it would be a bigger waste if all of the sad things i made over the years were not portray, because a lamp was not made only to be hid, and the lesson of it was simple - don't hurt one another, love one another.

Copyright

1. It Doesn't Matter, a poem from 2009-2022

(Temporarily disabled)

2. The burdens of Marriage, a true story from 2020

(Temporarily disabled)

3. They rejected me, a poem from 2023

(Temporarily disabled)

4. Suicide note, a poem from 2024

(Temporarily disabled)

The earlier 'a', Op.499

2009

•

4 movements

More information

The earlier 'a', Op.499
The earlier 'a', Op.499

Natan Fiedorowicz, 2024.

Performers

Fiedorowicz, Natan (organ, harpsichord, piano, keyboard, harpsichord (synthesised), voice)

Publisher

Natan Fiedorowicz, 2024.

Misc. Notes

first performance. also, voicing here is a bit more slurred than my usual, because i was obediently being drugged around that time - it tended that when i ceased, generally after it was permitted to be voluntarily done, some insight and sharpness would return, to an extent, but it was to be done wisely (the recommendation was against ceasing however, but had i listened to the recommendation, i probably would not have managed to compose most of the works i recently published - it is a deceptive system i found to be destructive to musicians). this work is mostly 'poetry', anyway, so don't take it overly seriously - these days i feel a little better, but it seemed that it would be a bigger waste if all of the sad things i made over the years were not portray, because a lamp was not made only to be hid, and the lesson of it was simple - don't hurt one another, love one another.

Copyright