Variations and Fugue on an Original Theme, Op.73
More information
Sheet music
Performances
Scores
Breitkopf und Härtel, No. EB 8491, 1989.
Editor
Hans Haselböck (b. 1928), preface
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Publisher
Sämtliche Orgelwerke, Band 1: Fantasias, Fugues, etc. (pp.111-155)
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Misc. Notes
600 dpi. Page size is 23 cm × 30.5 cm. The publisher's logo on the title page has been removed due to copyright.
Copyright
Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Publisher
Leipzig: Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Misc. Notes
Please be aware of a misprint in this early edition. It's in the last quote of the choral-like part of the theme in the last variation (variation XIII, "andante", bar 14; i.e. page number 31, system 3, bar 2). There are the notes a-sharp and c-sharp in the soprano missing (3rd and 4rth quaver). Without these notes the line can hardly be recognized as a quote of the theme (the entire quote is: a# (upbeat) - g# - a# - c# - b# - a# - g#, then change to 2/4-time).
Copyright
Breitkopf & Härtel, EB 8491, 1966. Plate M.R. 17.
Variations and Fugue on an Original Theme, Op.73
More information
Breitkopf und Härtel, No. EB 8491, 1989.
Editor
Hans Haselböck (b. 1928), preface
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Publisher
Sämtliche Orgelwerke, Band 1: Fantasias, Fugues, etc. (pp.111-155)
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Misc. Notes
600 dpi. Page size is 23 cm × 30.5 cm. The publisher's logo on the title page has been removed due to copyright.
Copyright
Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Publisher
Leipzig: Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Misc. Notes
Please be aware of a misprint in this early edition. It's in the last quote of the choral-like part of the theme in the last variation (variation XIII, "andante", bar 14; i.e. page number 31, system 3, bar 2). There are the notes a-sharp and c-sharp in the soprano missing (3rd and 4rth quaver). Without these notes the line can hardly be recognized as a quote of the theme (the entire quote is: a# (upbeat) - g# - a# - c# - b# - a# - g#, then change to 2/4-time).
Copyright
Breitkopf & Härtel, EB 8491, 1966. Plate M.R. 17.