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Gasparini, Francesco

Gasparini, Francesco

L'Armonico Pratico al Cimbalo

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Partituras

Livros

L'Armonico Pratico al Cimbalo
L'Armonico Pratico al Cimbalo

Public Domain

Giusseppe Antonio Silvani, 1722.

Editora

Bologna: Giusseppe Antonio Silvani, 1722.

Direitos de autor

Complete Book

Antonio Bortoli, 1764.

Revisor

5th edition

Editora

Venezia: Antonio Bortoli, 1764.

Direitos de autor

Complete Book

Yale University Press, 1963.

Revisor

David L. Burrows (1930–2019)
Richard L. Crocker (1927–2021), foreword

Idioma

English

Tradutor

Frank Stuart Stillings (1921–1994), English text

Editora

New Haven, Conn.: Yale University Press, 1963.

Observações diversas

Published as The Practical Harmonist at the Harpsichord.
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.

Direitos de autor

Complete Book

(Recurso externo)

L'Armonico Pratico al Cimbalo

Mais informações

Giusseppe Antonio Silvani, 1722.

Editora

Bologna: Giusseppe Antonio Silvani, 1722.

Direitos de autor

Antonio Bortoli, 1764.

Revisor

5th edition

Editora

Venezia: Antonio Bortoli, 1764.

Direitos de autor

Yale University Press, 1963.

Revisor

David L. Burrows (1930–2019)
Richard L. Crocker (1927–2021), foreword

Idioma

English

Tradutor

Frank Stuart Stillings (1921–1994), English text

Editora

New Haven, Conn.: Yale University Press, 1963.

Observações diversas

Published as The Practical Harmonist at the Harpsichord.
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.

Direitos de autor