Andante très calme, presque adagio (No.1)
Partituras
Partituras e partes
Max Eschig, 1985.
Editora
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observações diversas
This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.
Direitos de autor
Holograph manuscript, n.d.[1934].
Editora
Holograph manuscript, n.d.[1934].
Observações diversas
This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.
Direitos de autor
Holograph manuscript, n.d.[1934].
Editora
Holograph manuscript, n.d.[1934].
Observações diversas
This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)
Direitos de autor
Max Eschig, 1985.
Editora
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observações diversas
The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.
Direitos de autor
Holograph manuscript, n.d.[1934].
Editora
Holograph manuscript, n.d.[1934].
Observações diversas
This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).
Direitos de autor
Nesta página
Max Eschig, 1985.
Editora
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observações diversas
This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.
Direitos de autor
Holograph manuscript, n.d.[1934].
Editora
Holograph manuscript, n.d.[1934].
Observações diversas
This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.
Direitos de autor
Holograph manuscript, n.d.[1934].
Editora
Holograph manuscript, n.d.[1934].
Observações diversas
This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)
Direitos de autor
Max Eschig, 1985.
Editora
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observações diversas
The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.
Direitos de autor
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Holograph manuscript, n.d.[1934].
Editora
Holograph manuscript, n.d.[1934].
Observações diversas
This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).
Direitos de autor