Partituras
Interpretações
Partituras
G. Ricordi & C., 1952.
Revisor
Gian Francesco Malipiero (1882–1973)
Editora
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Direitos de autor
Instrumental Music, I-Tn Giordano 31 (38).
Editora
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
Observações diversas
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Direitos de autor
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
Revisor
Editora
Éditions il delirio fantastico
Observações diversas
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
G. Ricordi & C., 1952.
Revisor
Gian Francesco Malipiero (1882–1973)
Editora
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Direitos de autor
Instrumental Music, I-Tn Giordano 31 (38).
Editora
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
Observações diversas
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Direitos de autor
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
Revisor
Editora
Éditions il delirio fantastico
Observações diversas
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.