40 Kleine, leichte und vermischte Orgelpräludien, Op.37
40 preludes
Mais informações
Partituras
Partituras
Johann André, n.d.(ca.1820).
Editora
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Observações diversas
Final page missing (i.e. Prelude No.40, part of No.39)
Direitos de autor
Johann André, n.d.(ca.1820).
Editora
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Observações diversas
Final pages Nr. 39+40
Direitos de autor
P.J. Tonger, n.d.
Revisor
Heinrich Bungart (1864–1910)
Editora
Präludien-Album für Orgel oder Harmonium
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Observações diversas
I found a complete version of prelude 39 in Heinrich Bungarts Präludien-Album für Orgel oder Harmonium, a collection of pieces by different composers.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
Direitos de autor
40 Kleine, leichte und vermischte Orgelpräludien, Op.37
40 preludes
Mais informações
Johann André, n.d.(ca.1820).
Editora
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Observações diversas
Final page missing (i.e. Prelude No.40, part of No.39)
Direitos de autor
Johann André, n.d.(ca.1820).
Editora
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Observações diversas
Final pages Nr. 39+40
Direitos de autor
P.J. Tonger, n.d.
Revisor
Heinrich Bungart (1864–1910)
Editora
Präludien-Album für Orgel oder Harmonium
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Observações diversas
I found a complete version of prelude 39 in Heinrich Bungarts Präludien-Album für Orgel oder Harmonium, a collection of pieces by different composers.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
Direitos de autor