Partituras
Interpretações
Partituras
Manuscript, n.d.
Editora
Manuscript, n.d.
Observações diversas
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Direitos de autor
Schlesinger, n.d.[1836].
Revisor
Pierre Baillot (1771–1842)
Editora
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Observações diversas
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Direitos de autor
Manuscript, n.d.
Editora
Manuscript, n.d.
Observações diversas
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Direitos de autor
Schlesinger, n.d.[1836].
Revisor
Pierre Baillot (1771–1842)
Editora
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Observações diversas
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Direitos de autor