6 Cantatas and 6 Viola d'Amore Lessons
Mais informações
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Mais informações.
Partituras
Interpretações
Partituras
Unidentified Publisher, n.d.(ca.1724).
Editora
London: Unidentified Publisher, n.d.(ca.1724).
Observações diversas
Boston Public Library, Music Department (US-Bp): RISM A/I: A 1420
Direitos de autor
Stefano Paparozzi, 2022.
Revisor
Stefano Paparozzi (b. 1986)
Editora
Stefano Paparozzi, 2022.
Observações diversas
This is not a scientific critical edition, it's just an engraving made for study purpose. The source used is the edition available on IMSLP [Boston Public Library, Music Department (US-Bp): RISM A/I: A 1420]. The source is very well readable regarding the instrumental parts, having just a couple of minor mistakes, and being overall very coherent about dynamics and articulations. More problematic were some occurences in the text: both because of the hyphenation and the subdivision of syllabic beaming, the resulting syllabation looks sometimes awkward (especially in 3rd Cantata's first Aria), also considering that this is from an Italian composer who should know well how to use elisions and distribute accents. The original, debatable lyrics were conserved, but an alternative syllabation is proposed in italiacs (also after a comparison with the recording by Musica Solare with Laurie Reviol).
6 Cantatas and 6 Viola d'Amore Lessons
Mais informações
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Mais informações.
Unidentified Publisher, n.d.(ca.1724).
Editora
London: Unidentified Publisher, n.d.(ca.1724).
Observações diversas
Boston Public Library, Music Department (US-Bp): RISM A/I: A 1420
Direitos de autor
Stefano Paparozzi, 2022.
Revisor
Stefano Paparozzi (b. 1986)
Editora
Stefano Paparozzi, 2022.
Observações diversas
This is not a scientific critical edition, it's just an engraving made for study purpose. The source used is the edition available on IMSLP [Boston Public Library, Music Department (US-Bp): RISM A/I: A 1420]. The source is very well readable regarding the instrumental parts, having just a couple of minor mistakes, and being overall very coherent about dynamics and articulations. More problematic were some occurences in the text: both because of the hyphenation and the subdivision of syllabic beaming, the resulting syllabation looks sometimes awkward (especially in 3rd Cantata's first Aria), also considering that this is from an Italian composer who should know well how to use elisions and distribute accents. The original, debatable lyrics were conserved, but an alternative syllabation is proposed in italiacs (also after a comparison with the recording by Musica Solare with Laurie Reviol).