Complete
Partituras
Interpretações
Partituras
Bärenreiter Verlag, 1977.
Revisor
Christoph Wolff (b. 1940)
Editora
Neue Bach-Ausgabe, Serie V, Band 2 (pp.67-116)
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Observações diversas
600 dpi. Page size is 10.00 x 12.688 inches.
Direitos de autor
Bärenreiter, 1977.
Revisor
Christoph Wolff (b. 1940)
Editora
Kassel: Bärenreiter, 1977. Plate BA 5162/DVfM 8007.
Direitos de autor
Manuscript, n.d.
Gravador de partituras
Unidentified copyist
Editora
Manuscript, n.d.
Observações diversas
18th-century manuscript copy of the Balthasar Schmid edition.
Direitos de autor
Balthasar Schmid, No. 16, n.d.(ca.1741).
Revisor
First edition
Editora
Nürnberg: Balthasar Schmid, No. 16, n.d.(ca.1741).
Observações diversas
- 394103, #74598, and #18809 - Facsimile of Bach's personal copy ('Handexemplar') located in the Bibliothèque Nationale de France [Rés. Vm. ms. 949], including several ornaments added by hand in faded ink which is more visible in the color scan. See discussion page for list of hand-written additions.
The 14 canons upon the first part of the basso appear at the end on a separate page.
Direitos de autor
Hans Georg Nägeli, n.d.[1802].
Editora
Musikalische Kunstwerke im strengen Style von J.S. Bach u. andern Meistern
Zürich: Hans Georg Nägeli, n.d.[1802].
Zürich: Hans Georg Nägeli, n.d.[1802].
Observações diversas
This file is part of the Submission Project.
Direitos de autor
C.F. Peters, No. 209, n.d.(ca.1850).
Revisor
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Editora
Leipzig: C.F. Peters, No. 209, n.d.(ca.1850). Plate 2747.
Direitos de autor
Nesta página
Concluir
Complete
Complete
Bärenreiter Verlag, 1977.
Revisor
Christoph Wolff (b. 1940)
Editora
Neue Bach-Ausgabe, Serie V, Band 2 (pp.67-116)
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Observações diversas
600 dpi. Page size is 10.00 x 12.688 inches.
Direitos de autor
Complete
Complete
Bärenreiter, 1977.
Revisor
Christoph Wolff (b. 1940)
Editora
Kassel: Bärenreiter, 1977. Plate BA 5162/DVfM 8007.
Direitos de autor
Complete
Complete
Manuscript, n.d.
Gravador de partituras
Unidentified copyist
Editora
Manuscript, n.d.
Observações diversas
18th-century manuscript copy of the Balthasar Schmid edition.
Direitos de autor
Complete
Complete
Balthasar Schmid, No. 16, n.d.(ca.1741).
Revisor
First edition
Editora
Nürnberg: Balthasar Schmid, No. 16, n.d.(ca.1741).
Observações diversas
- 394103, #74598, and #18809 - Facsimile of Bach's personal copy ('Handexemplar') located in the Bibliothèque Nationale de France [Rés. Vm. ms. 949], including several ornaments added by hand in faded ink which is more visible in the color scan. See discussion page for list of hand-written additions.
The 14 canons upon the first part of the basso appear at the end on a separate page.
Direitos de autor
Complete
Complete
Hans Georg Nägeli, n.d.[1802].
Editora
Musikalische Kunstwerke im strengen Style von J.S. Bach u. andern Meistern
Zürich: Hans Georg Nägeli, n.d.[1802].
Zürich: Hans Georg Nägeli, n.d.[1802].
Observações diversas
This file is part of the Submission Project.
Direitos de autor
Complete
Complete
C.F. Peters, No. 209, n.d.(ca.1850).
Revisor
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Editora
Leipzig: C.F. Peters, No. 209, n.d.(ca.1850). Plate 2747.
Direitos de autor
Complete
Complete
Breitkopf und Härtel, 1853.
Revisor
Carl Ferdinand Becker (1804–1877)
Editora
Bach-Gesellschaft Ausgabe, Band 3 (pp.263-308)
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Direitos de autor
Complete
Complete
Edition Peters, No. 200-219, n.d.(ca.1898).
Revisor
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Editora
Leipzig: Edition Peters, No. 200-219, n.d.(ca.1898). Plate 8854.
Observações diversas
This edition seems to be a new engraving of #19551, not altering content.
Direitos de autor
Complete
Complete
Edition Peters, No. 4462, 1937.
Revisor
Kurt Soldan (1891–1946)
Carl Adolf Martienssen (1881–1955), fingering
Carl Adolf Martienssen (1881–1955), fingering
Editora
Leipzig: Edition Peters, No. 4462, 1937. Plate 11329.
Observações diversas
Grayscale
Direitos de autor
Complete
Complete
G. Henle Verlag, 1962.
Revisor
Rudolf Steglich (1886–1976), editor
Walther Lampe (1872–1964), fingerings
Walther Lampe (1872–1964), fingerings
Editora
Klavierübung 2.-4. Teil, (pp.60-112)
München-Duisburg: G. Henle Verlag, 1962. Plate HN 129.
München-Duisburg: G. Henle Verlag, 1962. Plate HN 129.
Observações diversas
600 dpi.
Direitos de autor
Complete
Complete
Bärenreiter, 1977.
Revisor
Christoph Wolff (b. 1940)
Mikhail Arkadev (b. 1958), revisions and commentary
Mikhail Arkadev (b. 1958), revisions and commentary
Idioma
Russian
Editora
Kassel: Bärenreiter, 1977. Plate BA 5162.
Reimpressão
Концепция и комментарии М. Аркадьева
Moscow: Sovyetsky Kompozitor, 2002.
Moscow: Sovyetsky Kompozitor, 2002.
Direitos de autor
Complete
Complete
Muzgiz, n.d.(ca.1980).
Revisor
Leonid Roizman (1916–1989)
Editora
Moscow: Muzgiz, n.d.(ca.1980).
Observações diversas
Preface removed
Direitos de autor
Complete
Complete
Könemann Music, 1996.
Revisor
Tamás Zászkaliczky (b. 1943)
Editora
Budapest: Könemann Music, 1996. Plate K 169.
Observações diversas
600 dpi. Page size A4 (210 × 297mm). Urtext edition.
Direitos de autor
Complete
Complete
Open Goldberg.
Revisor
Editora
Open Goldberg
Observações diversas
Open Goldberg Variations. Werner Schweer, editor. Peer reviewed on MuseScore.com
Complete
Complete
Creative Commons Attribution Non-commercial Share Alike 3.0
Martin Straeten.
Revisor
Editora
Martin Straeten
Observações diversas
Complete edition incl. Verschiedene Canones über die ersteren acht Fundamental-Noten der Arie, BWV 1087.
Edition based on the composer's copy of the first printing.
These file(s) are part of the Werner Icking Music Collection.
Edition based on the composer's copy of the first printing.
These file(s) are part of the Werner Icking Music Collection.
Direitos de autor
Creative Commons Attribution Non-commercial Share Alike 3.0
Complete
Complete
Derk Van der Veen, 2022.
Revisor
Derk Van der Veen (b. 1972)
Editora
Derk Van der Veen, 2022.
Observações diversas
1) the first edition from 1741 has been converted to modern notation;
2) Bach's corrections have been implemented and notation errors that remained have also been addressed;
3) in addition, elements on which opinions may differ are discussed in advance along with those errata;
4) ornamental symbols have been taken from the first edition;
5) the layout and paper size have been chosen to make it easier to see the structure of the piece;
6) peer reviewed and thoroughly discussed by 10+ professional musicians.
2) Bach's corrections have been implemented and notation errors that remained have also been addressed;
3) in addition, elements on which opinions may differ are discussed in advance along with those errata;
4) ornamental symbols have been taken from the first edition;
5) the layout and paper size have been chosen to make it easier to see the structure of the piece;
6) peer reviewed and thoroughly discussed by 10+ professional musicians.
Complete
Complete
Nuno R. Rodrigues, 2024.
Revisor
Editora
Nuno R. Rodrigues, 2024.
Observações diversas
This edition is an update on the 2012 Open Goldberg edition. A list of changes is available at MuseScore.com
Complete
Complete
Edition Peters, No. 4482, 1937.
Revisor
Kurt Soldan (1891–1946)
Carl Adolf Martienssen (1881–1955), fingering
Carl Adolf Martienssen (1881–1955), fingering
Editora
Leipzig: Edition Peters, No. 4482, 1937. Plate 11329.
Observações diversas
Clean black-and-white copy
Direitos de autor
Selections
Selections
Selections
Selections
Pierre Lafitte, 1907.
Editora
Album Musica, No.61
Paris: Pierre Lafitte, 1907.
Paris: Pierre Lafitte, 1907.
Direitos de autor
Selections
Selections
RSB, 2011.
Revisor
Editora
RSB, 2011.
Observações diversas
This new typeset writes out the ornaments that in the first edition are given as symbols. But there are errors in their interpretation, such as the second beat of the 3rd bar of the Aria in which the initial turn starts on the wrong note. An appoggiatura is missing in the third bar before the end of the first page of the Aria. There may be additional errors in these files.
Selections
Selections
Creative Commons Attribution Non-commercial Share Alike 3.0
Joel Mayes.
Revisor
Editora
Joel Mayes
Observações diversas
These file(s) are part of the Werner Icking Music Collection.
Direitos de autor
Creative Commons Attribution Non-commercial Share Alike 3.0
Aria
Aria
Aria
Aria
Bärenreiter Verlag, 1957.
Revisor
Georg von Dadelsen (1918–2007)
Editora
Neue Bach-Ausgabe, Serie V, Band 4 (pp.103)
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
Observações diversas
600 dpi. Page size is 10.00 x 12.688 inches. From the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.26).
Direitos de autor
Aria
Aria
Bärenreiter, 1957.
Revisor
Georg von Dadelsen (1918–2007)
Editora
Notebook for Anna Magdalena Bach, 1725 (p.25)
Kassel: Bärenreiter, 1957. Plate BA 5164.
Kassel: Bärenreiter, 1957. Plate BA 5164.
Observações diversas
600 dpi. From the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.26).
Direitos de autor