Entrée pontificale (No.1)
Partituras
Interpretações
Partituras
J. Rieter-Biedermann, 1895.
Revisor
First edition
Gravador de partituras
Leipzig: C.G. Röder.
Editora
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Observações diversas
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Direitos de autor
Unidentified Publisher, n.d.
Editora
Unidentified Publisher, n.d.
Observações diversas
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Direitos de autor
Les Éditions Outremontaises, 2010.
Revisor
Editora
Montréal: Les Éditions Outremontaises, 2010
Observações diversas
These file(s) are part of the Werner Icking Music Collection.
Nesta página
J. Rieter-Biedermann, 1895.
Revisor
First edition
Gravador de partituras
Leipzig: C.G. Röder.
Editora
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Observações diversas
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Direitos de autor
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Unidentified Publisher, n.d.
Editora
Unidentified Publisher, n.d.
Observações diversas
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Direitos de autor
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Les Éditions Outremontaises, 2010.
Revisor
Editora
Montréal: Les Éditions Outremontaises, 2010
Observações diversas
These file(s) are part of the Werner Icking Music Collection.