Adagio (No.1)
Violin Sonata No.1 in G minor, BWV 1001
Mais informações
Partituras
Interpretações
Partituras
Bärenreiter Verlag, 1958.
Revisor
Günter Haußwald (1908–1974)
Editora
Neue Bach-Ausgabe, Serie VI, Band 1 (pp.3-9)
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Observações diversas
600 dpi. Page size is 10.00 x 12.688 inches.
Direitos de autor
Breitkopf und Härtel, 1879.
Revisor
Alfred Dörffel (1821–1905)
Editora
Bach-Gesellschaft Ausgabe, Band 27 (pp.2-9)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Observações diversas
Because it was not available for consultation at the time, the editor of this score did not use Bach's autograph manuscript as a source for the Bach-Gesellschaft edition. The BG edition therefore contains occasional differences from the autograph. Perfomers are urged to consult the J.S. Bach autograph, or a modern critical edition, to settle questions of interpretation (especially in matters of phrasing and articulation).
Direitos de autor
Carl Fischer, 1917.
Revisor
Leopold Auer (1845–1930)
Editora
6 Sonatas for Unaccompanied Violin, No.1
New York: Carl Fischer, 1917. Plate 19544-43.
New York: Carl Fischer, 1917. Plate 19544-43.
Direitos de autor
Joseph Williams, 1923.
Revisor
Hans Wessely (1862–1926)
Editora
London: Joseph Williams, 1923. Plate J.W. 263a.
Direitos de autor
Edition Peters, No. 4309a, 1930.
Revisor
Carl Flesch (1873–1944)
Editora
Leipzig: Edition Peters, No. 4309a, 1930. Plate 10820a.
Direitos de autor
Serge Blanc.
Revisor
Editora
Serge Blanc
Observações diversas
This exceptional document brings together the complete score with indications and comments provided by George Enescu to violinist Serge Blanc during his years of study with the maestro, including sonority, phrasing, tempi, fingering, and expression, culmination of the life’s work of a master considered as one of the greatest interpreters of this work.
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Violin Sonata No.1 in G minor, BWV 1001
Mais informações
Bärenreiter Verlag, 1958.
Revisor
Günter Haußwald (1908–1974)
Editora
Neue Bach-Ausgabe, Serie VI, Band 1 (pp.3-9)
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Observações diversas
600 dpi. Page size is 10.00 x 12.688 inches.
Direitos de autor
Breitkopf und Härtel, 1879.
Revisor
Alfred Dörffel (1821–1905)
Editora
Bach-Gesellschaft Ausgabe, Band 27 (pp.2-9)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Observações diversas
Because it was not available for consultation at the time, the editor of this score did not use Bach's autograph manuscript as a source for the Bach-Gesellschaft edition. The BG edition therefore contains occasional differences from the autograph. Perfomers are urged to consult the J.S. Bach autograph, or a modern critical edition, to settle questions of interpretation (especially in matters of phrasing and articulation).
Direitos de autor
Carl Fischer, 1917.
Revisor
Leopold Auer (1845–1930)
Editora
6 Sonatas for Unaccompanied Violin, No.1
New York: Carl Fischer, 1917. Plate 19544-43.
New York: Carl Fischer, 1917. Plate 19544-43.
Direitos de autor
Joseph Williams, 1923.
Revisor
Hans Wessely (1862–1926)
Editora
London: Joseph Williams, 1923. Plate J.W. 263a.
Direitos de autor
Edition Peters, No. 4309a, 1930.
Revisor
Carl Flesch (1873–1944)
Editora
Leipzig: Edition Peters, No. 4309a, 1930. Plate 10820a.
Direitos de autor
Serge Blanc.
Revisor
Editora
Serge Blanc
Observações diversas
This exceptional document brings together the complete score with indications and comments provided by George Enescu to violinist Serge Blanc during his years of study with the maestro, including sonority, phrasing, tempi, fingering, and expression, culmination of the life’s work of a master considered as one of the greatest interpreters of this work.
Adagio (No.1)
Adagio (No.1)
Shin-Itchiro Yokoyama.
Revisor
Editora
Shin-Itchiro Yokoyama
Observações diversas
This score is for compare the parallel periods (m.1-8 and m.14-21 ).