Original version, Wq.30
Orfeo ed Euridice, Wq.30
Mais informações
Partituras
Interpretações
Partituras completas
Manuscript, n.d.[1762?].
Idioma
Italian
Editora
Manuscript, n.d.[1762?].
Observações diversas
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Direitos de autor
Manuscript, n.d.
Editora
Manuscript, n.d.
Observações diversas
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Direitos de autor
Duchesne, 1764.
Gravador de partituras
Chambon
Idioma
Italian
Editora
Paris: Duchesne, 1764.
Direitos de autor
Manuscript, 1838-1900.
Editora
Manuscript, 1838-1900.
Observações diversas
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Direitos de autor
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editora
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Observações diversas
This file is part of the Sibley Mirroring Project.
Direitos de autor
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editora
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Reimpressão
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Direitos de autor
Nesta página
Orfeo ed Euridice, Wq.30
Mais informações
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.[1762?].
Idioma
Italian
Editora
Manuscript, n.d.[1762?].
Observações diversas
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Direitos de autor
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.
Editora
Manuscript, n.d.
Observações diversas
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Direitos de autor
Original version, Wq.30
Original version, Wq.30
Duchesne, 1764.
Gravador de partituras
Chambon
Idioma
Italian
Editora
Paris: Duchesne, 1764.
Direitos de autor
Original version, Wq.30
Original version, Wq.30
Manuscript, 1838-1900.
Editora
Manuscript, 1838-1900.
Observações diversas
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Direitos de autor
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editora
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Observações diversas
This file is part of the Sibley Mirroring Project.
Direitos de autor
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editora
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Reimpressão
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Direitos de autor
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Revisor
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Idioma
Italian / German
Editora
Kassel: Bärenreiter, 1962. Plate BA 2294
Direitos de autor
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Revisor
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Editora
Kassel: Bärenreiter, 1962. Plate BA 2294.
Observações diversas
add missing p.116 to #338237; rescan p.183 of #338237; turn #338237 from greyscale to B&W
Direitos de autor
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, n.d.[1774].
Copista
Copyist S-Dl-547
Copyist S-Dl-548
Copyist S-Dl-548
Editora
Manuscript, n.d.[1774].
Observações diversas
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-13
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Direitos de autor
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, 1773.
Editora
Manuscript, 1773.
Observações diversas
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms. 22341
Direitos de autor
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Manuscript, n.d.(ca.1774).
Editora
Manuscript, n.d.(ca.1774).
Observações diversas
Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : 27.4.5-7
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Direitos de autor
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Michel Rondeau.
Revisor
Editora
Michel Rondeau
Observações diversas
These file(s) are part of the Werner Icking Music Collection.
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Creative Commons Attribution Share Alike 3.0
Rutger Hofman.
Revisor
Editora
Rutger Hofman
Direitos de autor
Creative Commons Attribution Share Alike 3.0
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Michel Rondeau.
Revisor
Editora
Michel Rondeau
Observações diversas
These file(s) are part of the Werner Icking Music Collection.