Concerto for Flute, Violin and Cello, TWV 53:A2
4 movements
Mais informações
Partituras
Interpretações
Partituras e partes
Manuscript, n.d.(ca.1733-60).
Copista
Johann Samuel Endler (1694–1762)
Editora
Manuscript, n.d.(ca.1733-60).
Observações diversas
Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms 1033/31a
Direitos de autor
1959.
Revisor
Max Seiffert (1868–1948)
Hans Joachim Moser (1889–1967), reissue editor
Hans Joachim Moser (1889–1967), reissue editor
Editora
Denkmäler deutscher Tonkunst, Erste Folge; Bd.61-62:
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
Direitos de autor
Ole Vedel Villumsen.
Revisor
Ole Vedel Villumsen (b. 1959)
Editora
Ole Vedel Villumsen
Observações diversas
The use of plural for strings (violins, violas) follows IMSLP practice even though there is no evidence that Telemann envisioned more than one player on each part.
1-5 /9
Concerto for Flute, Violin and Cello, TWV 53:A2
4 movements
Mais informações
Manuscript, n.d.(ca.1733-60).
Copista
Johann Samuel Endler (1694–1762)
Editora
Manuscript, n.d.(ca.1733-60).
Observações diversas
Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms 1033/31a
Direitos de autor
1959.
Revisor
Max Seiffert (1868–1948)
Hans Joachim Moser (1889–1967), reissue editor
Hans Joachim Moser (1889–1967), reissue editor
Editora
Denkmäler deutscher Tonkunst, Erste Folge; Bd.61-62:
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
Direitos de autor
Ole Vedel Villumsen.
Revisor
Ole Vedel Villumsen (b. 1959)
Editora
Ole Vedel Villumsen
Observações diversas
The use of plural for strings (violins, violas) follows IMSLP practice even though there is no evidence that Telemann envisioned more than one player on each part.