Mozart's Fragment
Oboe Concerto in F major, K.293/416f
Mais informações
Partituras
Interpretações
Partituras completas
Holograph manuscript, n.d.(ca.1778).
Editora
Holograph manuscript, n.d.(ca.1778).
Observações diversas
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Direitos de autor
Breitkopf & Härtel, 1882.
Revisor
Ernst Rudorff (1840–1916)
First edition
First edition
Editora
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Observações diversas
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Direitos de autor
Bärenreiter-Verlag, 1981.
Revisor
Franz Giegling (1921–2007)
Editora
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Observações diversas
scan: score scanned at 600dpi (High Quality Scanning)
Direitos de autor
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arranjador
Gavin Jared Bala (b. 1999)
Editora
Gavin Jared Bala, 2023 (June).
Observações diversas
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
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Oboe Concerto in F major, K.293/416f
Mais informações
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Holograph manuscript, n.d.(ca.1778).
Editora
Holograph manuscript, n.d.(ca.1778).
Observações diversas
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Direitos de autor
Mozart's Fragment
Mozart's Fragment
Breitkopf & Härtel, 1882.
Revisor
Ernst Rudorff (1840–1916)
First edition
First edition
Editora
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Observações diversas
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Direitos de autor
Mozart's Fragment
Mozart's Fragment
Bärenreiter-Verlag, 1981.
Revisor
Franz Giegling (1921–2007)
Editora
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Observações diversas
scan: score scanned at 600dpi (High Quality Scanning)
Direitos de autor
Completions
Completions
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arranjador
Gavin Jared Bala (b. 1999)
Editora
Gavin Jared Bala, 2023 (June).
Observações diversas
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.