Partituras
Interpretações
Partituras completas
Bärenreiter, 1957.
Revisor
Friedrich Noack (1890–1958)
Editora
Kassel: Bärenreiter, 1957. Plate BA 3233.
Reimpressão
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.
Direitos de autor
Autograph manuscript, n.d.(ca.1744).
Editora
Autograph manuscript, n.d.(ca.1744).
Direitos de autor
Creative Commons Attribution Non-commercial Share Alike 3.0
Richard Kram.
Revisor
Editora
Richard Kram
Observações diversas
Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.
Direitos de autor
Creative Commons Attribution Non-commercial Share Alike 3.0
Bärenreiter, 1957.
Revisor
Friedrich Noack (1890–1958)
Editora
Kassel: Bärenreiter, 1957. Plate BA 3233.
Reimpressão
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.
Direitos de autor
Autograph manuscript, n.d.(ca.1744).
Editora
Autograph manuscript, n.d.(ca.1744).
Direitos de autor
Creative Commons Attribution Non-commercial Share Alike 3.0
Richard Kram.
Revisor
Editora
Richard Kram
Observações diversas
Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.
Direitos de autor
Creative Commons Attribution Non-commercial Share Alike 3.0