Partituras
Interpretações
Partituras completas
Holograph manuscript, n.d.(ca.1701-41).
Editora
Holograph manuscript, n.d.(ca.1701-41).
Observações diversas
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Direitos de autor
G. Ricordi & C., 1949.
Revisor
Gian Francesco Malipiero (1882–1973)
Editora
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Direitos de autor
Eulenburg, n.d.
Revisor
Felix Schroeder (1908–1976)
Reimpressão
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Direitos de autor
Alonso del Arte.
Revisor
Editora
Alonso del Arte
Observações diversas
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.
Holograph manuscript, n.d.(ca.1701-41).
Editora
Holograph manuscript, n.d.(ca.1701-41).
Observações diversas
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Direitos de autor
G. Ricordi & C., 1949.
Revisor
Gian Francesco Malipiero (1882–1973)
Editora
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Direitos de autor
Eulenburg, n.d.
Revisor
Felix Schroeder (1908–1976)
Reimpressão
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Direitos de autor
Alonso del Arte.
Revisor
Editora
Alonso del Arte
Observações diversas
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.