Complete
Cello Suite No.4 in E-flat major, BWV 1010
Mais informações
Partituras
Interpretações
Partituras
Bärenreiter, 1950.
Revisor
August Wenzinger (1905–1996)
Editora
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.24-33)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
Observações diversas
Score redacted to exclude editorial fingerings and bowings.
Direitos de autor
Bärenreiter Verlag, 1988.
Revisor
Hans Eppstein (1911–2008)
Editora
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.22-31, 74-83)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Observações diversas
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Direitos de autor
Breitkopf und Härtel, 1879.
Revisor
Alfred Dörffel (1821–1905)
Editora
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.74-80)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Reimpressão
Mineola: Dover Publications, 1988.
Direitos de autor
Breitkopf und Härtel, n.d.(ca.1900).
Revisor
Julius Klengel (1859–1933)
Editora
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Direitos de autor
C.F. Peters, No. 238, n.d.(ca.1911).
Revisor
Hugo Becker (1863–1941)
Editora
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Direitos de autor
Francois Salabert S.A., 1929.
Revisor
Diran Alexanian (1881–1954)
Editora
Six Suites pour Violoncelle seul No.4 (pp.35-49)
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Direitos de autor
Nesta página
Cello Suite No.4 in E-flat major, BWV 1010
Mais informações
Concluir
Complete
Complete
Bärenreiter, 1950.
Revisor
August Wenzinger (1905–1996)
Editora
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.24-33)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
Observações diversas
Score redacted to exclude editorial fingerings and bowings.
Direitos de autor
Complete
Complete
Bärenreiter Verlag, 1988.
Revisor
Hans Eppstein (1911–2008)
Editora
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.22-31, 74-83)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Observações diversas
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Direitos de autor
Complete
Complete
Breitkopf und Härtel, 1879.
Revisor
Alfred Dörffel (1821–1905)
Editora
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.74-80)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Reimpressão
Mineola: Dover Publications, 1988.
Direitos de autor
Complete
Complete
Breitkopf und Härtel, n.d.(ca.1900).
Revisor
Julius Klengel (1859–1933)
Editora
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Direitos de autor
Complete
Complete
C.F. Peters, No. 238, n.d.(ca.1911).
Revisor
Hugo Becker (1863–1941)
Editora
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Direitos de autor
Complete
Complete
Francois Salabert S.A., 1929.
Revisor
Diran Alexanian (1881–1954)
Editora
Six Suites pour Violoncelle seul No.4 (pp.35-49)
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Direitos de autor
Complete
Complete
Breitkopf und Härtel, 2000.
Revisor
Kirsten Beißwenger (1960–2013)
Editora
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.26-35)
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Direitos de autor
Complete
Complete
Shin-Itchiro Yokoyama.
Revisor
Editora
Shin-Itchiro Yokoyama
Observações diversas
Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
See also Editor's Notes
See also Editor's Notes
Complete
Complete
Public Domain (dedicated)
Cellofun.eu, 2021.
Revisor
Editora
Cellofun.eu, 2021.
Observações diversas
Here, the four known manuscript sources have been typeset and laid out in score format principally in order to make for an easy comparison of the bowings (slurs). This is not an academic, scholarly work, in the sense that there are a few typos (note errors) and not all of the minor differences in notes and rhythms between the different manuscripts have been reproduced. We have however tried to reproduce as closely as possible the ambiguities in the placements and shapes of the slurs of the original manuscripts. Two playing editions are also offered: an Edited one (with fingering and bowing suggestions) and a Clean Version (with nothing but the notes). For best results, print on A4 paper with no margins. For more information see cellofun.eu
Direitos de autor
Public Domain (dedicated)
Complete
Complete
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_CELLO_-6762.jpg&w=640&q=75)
Joseba Berrocal, 2026.
Revisor
Editora
Joseba Berrocal, 2026.
Observações diversas
Transposed to C major for a best sonority involving open strings. Using Sources AMB, Kellner & Traeg.
Prelude (No.1)
Prelude (No.1)
Prelude (No.1)
Prelude (No.1)
Edizioni Migliori, 2022.