Complete
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Mais informações.
Partituras
Partes
Huberty, n.d.
Gravador de partituras
Mme Huberty
Editora
Paris: Huberty, n.d.
Observações diversas
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Direitos de autor
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
Editora
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
Observações diversas
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Direitos de autor
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
Revisor
Walter Upmeyer (1876-1961)
Editora
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
Reimpressão
1957
Observações diversas
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Direitos de autor
Nesta página
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Mais informações.
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Complete
Complete
Huberty, n.d.
Gravador de partituras
Mme Huberty
Editora
Paris: Huberty, n.d.
Observações diversas
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Direitos de autor
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
Editora
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
Observações diversas
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Direitos de autor
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
Revisor
Walter Upmeyer (1876-1961)
Editora
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
Reimpressão
1957
Observações diversas
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Direitos de autor