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Golinelli, Stefano

Golinelli, Stefano

2 Piano Sonatas, Opp.53–54

1840

•

2 sonatas

Meer informatie

Bladmuziek

Partituren

Op.53


2 Piano Sonatas, Opp.53–54
2 Piano Sonatas, Opp.53–54

Public Domain

Ricordi, n.d.[1881].

Uitgever

Milan: Ricordi, n.d.[1881]. Plate 47186.

Herdruk

?: Musicaneo

Overige opmerkingen

Was mistakenly attributed as his second sonata, but in reality can be considered the first half of his 3rd sonata because the cover page clearly says, "Due Gran Sonate" and "Op. 53 e 54". That implies that this is actually a set and not just one sonata. (edit: never mind- since Op.54 is in E, not G, something is more wrong than I thought.)

Auteursrecht

Complete Score

Ricordi, n.d.[1850].

Uitgever

Milan: Ricordi, n.d.[1850]. Plate 22785.

Overige opmerkingen

This is the last of the Due Gran Sonate in G; found this beau on scorser :") - except, well, it isn't. These two works are both dedicated to Hiller, and are clearly, obviously, different printings of the same work (start by comparing the opening bars), so they're both actually op.53; whoever circled Op.54 was wholly mistaken.

Auteursrecht

Complete Score

Op deze pagina

2 Piano Sonatas, Opp.53–54

1840

•

2 sonatas

Meer informatie

Op.53

Op.53


Ricordi, n.d.[1881].

Uitgever

Milan: Ricordi, n.d.[1881]. Plate 47186.

Herdruk

?: Musicaneo

Overige opmerkingen

Was mistakenly attributed as his second sonata, but in reality can be considered the first half of his 3rd sonata because the cover page clearly says, "Due Gran Sonate" and "Op. 53 e 54". That implies that this is actually a set and not just one sonata. (edit: never mind- since Op.54 is in E, not G, something is more wrong than I thought.)

Auteursrecht

Op.53


Ricordi, n.d.[1850].

Uitgever

Milan: Ricordi, n.d.[1850]. Plate 22785.

Overige opmerkingen

This is the last of the Due Gran Sonate in G; found this beau on scorser :") - except, well, it isn't. These two works are both dedicated to Hiller, and are clearly, obviously, different printings of the same work (start by comparing the opening bars), so they're both actually op.53; whoever circled Op.54 was wholly mistaken.

Auteursrecht