Original version, Wq.30
Orfeo ed Euridice, Wq.30
Meer informatie
Bladmuziek
Uitvoeringen
Volledige partituren
Manuscript, n.d.[1762?].
Taal
Italian
Uitgever
Manuscript, n.d.[1762?].
Overige opmerkingen
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Auteursrecht
Manuscript, n.d.
Uitgever
Manuscript, n.d.
Overige opmerkingen
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Auteursrecht
Duchesne, 1764.
Manuscript, 1838-1900.
Uitgever
Manuscript, 1838-1900.
Overige opmerkingen
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Auteursrecht
Österreichischer Bundesverlag, 1914.
Editeur
Hermann Abert (1871–1927)
Taal
Italian / German
Uitgever
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Overige opmerkingen
This file is part of the Sibley Mirroring Project.
Auteursrecht
Österreichischer Bundesverlag, 1914.
Editeur
Hermann Abert (1871–1927)
Taal
Italian / German
Uitgever
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Herdruk
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Auteursrecht
Op deze pagina
Orfeo ed Euridice, Wq.30
Meer informatie
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.[1762?].
Taal
Italian
Uitgever
Manuscript, n.d.[1762?].
Overige opmerkingen
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Auteursrecht
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.
Uitgever
Manuscript, n.d.
Overige opmerkingen
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Auteursrecht
Original version, Wq.30
Original version, Wq.30
Duchesne, 1764.
Original version, Wq.30
Original version, Wq.30
Manuscript, 1838-1900.
Uitgever
Manuscript, 1838-1900.
Overige opmerkingen
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Auteursrecht
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Editeur
Hermann Abert (1871–1927)
Taal
Italian / German
Uitgever
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Overige opmerkingen
This file is part of the Sibley Mirroring Project.
Auteursrecht
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Editeur
Hermann Abert (1871–1927)
Taal
Italian / German
Uitgever
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Herdruk
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Auteursrecht
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Editeur
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Taal
Italian / German
Uitgever
Kassel: Bärenreiter, 1962. Plate BA 2294
Auteursrecht
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Editeur
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Uitgever
Kassel: Bärenreiter, 1962. Plate BA 2294.
Overige opmerkingen
add missing p.116 to #338237; rescan p.183 of #338237; turn #338237 from greyscale to B&W
Auteursrecht
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, n.d.[1774].
Kopiist
Copyist S-Dl-547
Copyist S-Dl-548
Copyist S-Dl-548
Uitgever
Manuscript, n.d.[1774].
Overige opmerkingen
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-13
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Auteursrecht
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, 1773.
Uitgever
Manuscript, 1773.
Overige opmerkingen
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms. 22341
Auteursrecht
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Manuscript, n.d.(ca.1774).
Uitgever
Manuscript, n.d.(ca.1774).
Overige opmerkingen
Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : 27.4.5-7
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Auteursrecht
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Michel Rondeau.
Editeur
Uitgever
Michel Rondeau
Overige opmerkingen
These file(s) are part of the Werner Icking Music Collection.
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Creative Commons Attribution Share Alike 3.0
Rutger Hofman.
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Michel Rondeau.
Editeur
Uitgever
Michel Rondeau
Overige opmerkingen
These file(s) are part of the Werner Icking Music Collection.