Bladmuziek
Uitvoeringen
Volledige partituren
Holograph manuscript, n.d.(ca.1701-41).
Uitgever
Holograph manuscript, n.d.(ca.1701-41).
Overige opmerkingen
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Auteursrecht
G. Ricordi & C., 1949.
Editeur
Gian Francesco Malipiero (1882–1973)
Uitgever
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Auteursrecht
Eulenburg, n.d.
Editeur
Felix Schroeder (1908–1976)
Herdruk
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Auteursrecht
Alonso del Arte.
Editeur
Uitgever
Alonso del Arte
Overige opmerkingen
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.
Holograph manuscript, n.d.(ca.1701-41).
Uitgever
Holograph manuscript, n.d.(ca.1701-41).
Overige opmerkingen
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Auteursrecht
G. Ricordi & C., 1949.
Editeur
Gian Francesco Malipiero (1882–1973)
Uitgever
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Auteursrecht
Eulenburg, n.d.
Editeur
Felix Schroeder (1908–1976)
Herdruk
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Auteursrecht
Alonso del Arte.
Editeur
Uitgever
Alonso del Arte
Overige opmerkingen
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.