악보
악보
Manuscript, n.d.(ca.1720-55).
필사자
Johann Georg Pisendel (1687-1755)
출판사
Manuscript, n.d.(ca.1720-55).
기타 참고 사항
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.1-O-2
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Tom Ó Drisceoil, 2020.
편집자
Tom Ó Drisceoil (b. 1986)
출판사
Tom Ó Drisceoil, 2020.
기타 참고 사항
Editorial missing accidentals (all in the bass) in brackets. Instrument names supplied by comparison with other Pisendel sources from Dresden. In movement 3: continuo bars 47-49, there is an erroneous rest in bar 47, and an obviously missing bar has been supplied in small notes; an ink stain in bars 99-100 obscures some of the solo part, and an editorial suggestion is supplied in small size notes. Another source for this work, a set of parts in Lambach, apparently contains a different middle movement (an Adagio in G Major), but this is currently not available for consultation.
Manuscript, n.d.(ca.1720-55).
필사자
Johann Georg Pisendel (1687-1755)
출판사
Manuscript, n.d.(ca.1720-55).
기타 참고 사항
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.1-O-2
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Tom Ó Drisceoil, 2020.
편집자
Tom Ó Drisceoil (b. 1986)
출판사
Tom Ó Drisceoil, 2020.
기타 참고 사항
Editorial missing accidentals (all in the bass) in brackets. Instrument names supplied by comparison with other Pisendel sources from Dresden. In movement 3: continuo bars 47-49, there is an erroneous rest in bar 47, and an obviously missing bar has been supplied in small notes; an ink stain in bars 99-100 obscures some of the solo part, and an editorial suggestion is supplied in small size notes. Another source for this work, a set of parts in Lambach, apparently contains a different middle movement (an Adagio in G Major), but this is currently not available for consultation.