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Traetta, Tommaso

Traetta, Tommaso

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

자세한 정보

악보

연주

악보

Stabat mater
Stabat mater

Public Domain

Manuscript, n.d.

출판사

Manuscript, n.d.

기타 참고 사항

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

저작권

Complete Score

Holograph manuscript, n.d.[1767].

출판사

Holograph manuscript, n.d.[1767].

기타 참고 사항

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

저작권

Complete Score

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

편집자

출판사

Stefano Paparozzi, 2022.

기타 참고 사항

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

저작권

Complete Score

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

자세한 정보

Manuscript, n.d.

출판사

Manuscript, n.d.

기타 참고 사항

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

저작권

Holograph manuscript, n.d.[1767].

출판사

Holograph manuscript, n.d.[1767].

기타 참고 사항

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

저작권

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

편집자

출판사

Stefano Paparozzi, 2022.

기타 참고 사항

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

저작권