악보
연주
악보
G. Ricordi & C., 1952.
편집자
Gian Francesco Malipiero (1882–1973)
출판사
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Instrumental Music, I-Tn Giordano 31 (38).
출판사
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
기타 참고 사항
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
출판사
Éditions il delirio fantastico
기타 참고 사항
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
G. Ricordi & C., 1952.
편집자
Gian Francesco Malipiero (1882–1973)
출판사
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Instrumental Music, I-Tn Giordano 31 (38).
출판사
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
기타 참고 사항
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
출판사
Éditions il delirio fantastico
기타 참고 사항
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.