악보
연주
악보
Muzgiz, 1952.
편집자
Aleksandr Goldenweiser (1875–1961)
출판사
Complete Collected Works (Полное собрание сочинений), Vol.32B
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
D. Rahter, n.d.1892 .
편집자
First edition (reprint)
출판사
Moscow: P. Jurgenson, n.d.[1892]. Plate 17602.
Co-issue: Leipzig: D. Rahter, n.d.1892 .
Co-issue: Leipzig: D. Rahter, n.d.1892 .
기타 참고 사항
At the start of Mvt 3, Cello II is pizz. with no arco shown - it should presumably start from fig. A (as in the Bouma edition). This file is part of the Sibley Mirroring Project.
Muzgiz, 1952.
편집자
Aleksandr Goldenweiser (1875–1961)
출판사
Complete Collected Works (Полное собрание сочинений), Vol.32B
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
재인쇄
New York: E.F. Kalmus, n.d.[1970]. Chamber Series No.600
기타 참고 사항
Includes footnotes in Russian (Cyrillic). Contains bar numbers, but no rehearsal marks. Original title page, plate numbers omitted in reprint. Differences between published and autograph scores shown in appendix (pp.89–108). (Apologies for the poor quality of this file, which will serve as a stop-gap until a better copy comes along)
Hugo Bouma, 2022.
Muzgiz, 1952.
편집자
Aleksandr Goldenweiser (1875–1961)
출판사
Complete Collected Works (Полное собрание сочинений), Vol.32B
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
D. Rahter, n.d.1892 .
편집자
First edition (reprint)
출판사
Moscow: P. Jurgenson, n.d.[1892]. Plate 17602.
Co-issue: Leipzig: D. Rahter, n.d.1892 .
Co-issue: Leipzig: D. Rahter, n.d.1892 .
기타 참고 사항
At the start of Mvt 3, Cello II is pizz. with no arco shown - it should presumably start from fig. A (as in the Bouma edition). This file is part of the Sibley Mirroring Project.
Muzgiz, 1952.
편집자
Aleksandr Goldenweiser (1875–1961)
출판사
Complete Collected Works (Полное собрание сочинений), Vol.32B
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
Moscow: Muzgiz, 1952. Plate M. 22452 Г.
재인쇄
New York: E.F. Kalmus, n.d.[1970]. Chamber Series No.600
기타 참고 사항
Includes footnotes in Russian (Cyrillic). Contains bar numbers, but no rehearsal marks. Original title page, plate numbers omitted in reprint. Differences between published and autograph scores shown in appendix (pp.89–108). (Apologies for the poor quality of this file, which will serve as a stop-gap until a better copy comes along)
Hugo Bouma, 2022.