악보
연주
악보 및 파트보
Manuscript, n.d.(ca.1733-60).
필사자
Johann Samuel Endler (1694–1762)
출판사
Manuscript, n.d.(ca.1733-60).
기타 참고 사항
Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms 1033/31a
1959.
편집자
Max Seiffert (1868–1948)
Hans Joachim Moser (1889–1967), reissue editor
Hans Joachim Moser (1889–1967), reissue editor
출판사
Denkmäler deutscher Tonkunst, Erste Folge; Bd.61-62:
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
Ole Vedel Villumsen.
편집자
Ole Vedel Villumsen (b. 1959)
출판사
Ole Vedel Villumsen
기타 참고 사항
The use of plural for strings (violins, violas) follows IMSLP practice even though there is no evidence that Telemann envisioned more than one player on each part.
1-5 /9
Manuscript, n.d.(ca.1733-60).
필사자
Johann Samuel Endler (1694–1762)
출판사
Manuscript, n.d.(ca.1733-60).
기타 참고 사항
Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms 1033/31a
1959.
편집자
Max Seiffert (1868–1948)
Hans Joachim Moser (1889–1967), reissue editor
Hans Joachim Moser (1889–1967), reissue editor
출판사
Denkmäler deutscher Tonkunst, Erste Folge; Bd.61-62:
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
Ole Vedel Villumsen.
편집자
Ole Vedel Villumsen (b. 1959)
출판사
Ole Vedel Villumsen
기타 참고 사항
The use of plural for strings (violins, violas) follows IMSLP practice even though there is no evidence that Telemann envisioned more than one player on each part.