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Bach, Johann Sebastian

Bach, Johann Sebastian

Markuspassion, BWV 247

1731

•

2 parts with 46 movements (rev. 1744: 50 movements)

詳細情報

楽譜

演奏

総譜

Reconstruction BWV 247R (1744)


Markuspassion, BWV 247
Markuspassion, BWV 247

Robert Koolstra, 2017.

編曲者

出版社

Robert Koolstra, 2017.

その他の注記

Reconstruction by Robert Koolstra (1744 version)

著作権

Complete Score

Markuspassion, BWV 247
Markuspassion, BWV 247

David Glenn Lebut Jr., 2020.

出版社

David Glenn Lebut Jr., 2020

その他の注記

Based on reconstruction by Heighes and Grycytolik, with some ideas of my own and chorales (with one exception) from Bach cantatas and oratorios/passions

著作権

Complete Score

Markuspassion, BWV 247
Markuspassion, BWV 247

Juri Kichelmann, 2021.

出版社

Juri Kichelmann, 2021.

その他の注記

In this free reconstruction or rather completion, the lost recitatives are replaced by readings from the Gospel of Mark in the audience’s native language. The corresponding passages (chapter and verse) are indicated in the headings which also specify the sources for the choruses, arias and chorales (with BWV numbers). A subsequent edition to be issued later this year will include notes on each movement.

著作権

Complete Score

このページの内容

Markuspassion, BWV 247

1731

•

2 parts with 46 movements (rev. 1744: 50 movements)

詳細情報

Reconstruction BWV 247R (1744)

Reconstruction BWV 247R (1744)


Markuspassion, BWV 247
Markuspassion, BWV 247

Robert Koolstra, 2017.

出版社

Robert Koolstra, 2017.

その他の注記

Reconstruction by Robert Koolstra (1744 version)

著作権

Reconstruction BWV 247R (1744)


Markuspassion, BWV 247
Markuspassion, BWV 247

David Glenn Lebut Jr., 2020.

出版社

David Glenn Lebut Jr., 2020

その他の注記

Based on reconstruction by Heighes and Grycytolik, with some ideas of my own and chorales (with one exception) from Bach cantatas and oratorios/passions

著作権

Reconstruction BWV 247R (1744)


Markuspassion, BWV 247
Markuspassion, BWV 247

Juri Kichelmann, 2021.

出版社

Juri Kichelmann, 2021.

その他の注記

In this free reconstruction or rather completion, the lost recitatives are replaced by readings from the Gospel of Mark in the audience’s native language. The corresponding passages (chapter and verse) are indicated in the headings which also specify the sources for the choruses, arias and chorales (with BWV numbers). A subsequent edition to be issued later this year will include notes on each movement.

著作権