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Koechlin, Charles

Koechlin, Charles

Piano Quintet, Op.80

1908

•

4 movements

詳細情報

楽譜

楽譜とパート譜

Piano Quintet, Op.80

図書館員のおすすめ

Piano Quintet, Op.80

図書館員のおすすめ

Public Domain

Max Eschig, 1985.

出版社

Paris: Max Eschig, 1985. Plate M. E. 8154.

その他の注記

This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.

著作権

Complete Score

(外部リソース)

Violin 1

(外部リソース)

Violin 2

(外部リソース)

Viola

(外部リソース)

Cello

(外部リソース)

Holograph manuscript, n.d.[1934].

出版社

Holograph manuscript, n.d.[1934].

その他の注記

This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.

著作権

Complete Score

(外部リソース)

Violin 1

(外部リソース)

Violin 2

(外部リソース)

Viola

(外部リソース)

Cello

(外部リソース)

Holograph manuscript, n.d.[1934].

出版社

Holograph manuscript, n.d.[1934].

その他の注記

This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)

著作権

Complete Score

(外部リソース)

Max Eschig, 1985.

出版社

Paris: Max Eschig, 1985. Plate M. E. 8154.

その他の注記

The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.

著作権

Complete Score (with corrections)

(外部リソース)

Andante très calme, presque adagio (No.1)


Holograph manuscript, n.d.[1934].

出版社

Holograph manuscript, n.d.[1934].

その他の注記

This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).

著作権

1. Andante très calme, presque adagio

(外部リソース)

このページの内容

Piano Quintet, Op.80

1908

•

4 movements

詳細情報

Piano Quintet, Op.80

図書館員のおすすめ

Piano Quintet, Op.80

図書館員のおすすめ

Max Eschig, 1985.

出版社

Paris: Max Eschig, 1985. Plate M. E. 8154.

その他の注記

This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.

著作権

Holograph manuscript, n.d.[1934].

出版社

Holograph manuscript, n.d.[1934].

その他の注記

This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.

著作権

Holograph manuscript, n.d.[1934].

出版社

Holograph manuscript, n.d.[1934].

その他の注記

This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)

著作権

Max Eschig, 1985.

出版社

Paris: Max Eschig, 1985. Plate M. E. 8154.

その他の注記

The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.

著作権

Andante très calme, presque adagio (No.1)

Andante très calme, presque adagio (No.1)


Holograph manuscript, n.d.[1934].

出版社

Holograph manuscript, n.d.[1934].

その他の注記

This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).

著作権