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Traetta, Tommaso

Traetta, Tommaso

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

詳細情報

楽譜

演奏

楽譜

Stabat mater
Stabat mater

Public Domain

Manuscript, n.d.

出版社

Manuscript, n.d.

その他の注記

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

著作権

Complete Score

Holograph manuscript, n.d.[1767].

出版社

Holograph manuscript, n.d.[1767].

その他の注記

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

著作権

Complete Score

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

校訂者

出版社

Stefano Paparozzi, 2022.

その他の注記

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

著作権

Complete Score

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

詳細情報

Manuscript, n.d.

出版社

Manuscript, n.d.

その他の注記

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

著作権

Holograph manuscript, n.d.[1767].

出版社

Holograph manuscript, n.d.[1767].

その他の注記

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

著作権

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

校訂者

出版社

Stefano Paparozzi, 2022.

その他の注記

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

著作権