楽譜
演奏
楽譜
G. Ricordi & C., 1952.
校訂者
Gian Francesco Malipiero (1882–1973)
出版社
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Instrumental Music, I-Tn Giordano 31 (38).
出版社
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
その他の注記
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
出版社
Éditions il delirio fantastico
その他の注記
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
G. Ricordi & C., 1952.
校訂者
Gian Francesco Malipiero (1882–1973)
出版社
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Instrumental Music, I-Tn Giordano 31 (38).
出版社
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
その他の注記
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
出版社
Éditions il delirio fantastico
その他の注記
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.