楽譜
演奏
総譜
Manuscript, n.d.(ca.1840-60).
出版社
Manuscript, n.d.(ca.1840-60).
その他の注記
Naples, Biblioteca del Conservatorio di musica S. Pietro a Majella, IT-NA0059.
The original 2 volumes are completely messed up. Vol.1 contains the Prologue of Lucrezia Borgia, additional (brass and percussion) scores for the whole opera and Finale I of Chi dura vince by Luigi Ricci. Vol.2 contains acts I and II of Lucrezia Borgia and additional score for the chorus from act I (Qui che fai? — Non far motto). The order of the pieces in vol.2 is chaotic. In the #587618 file they are reordered properly; the finale of Ci dura vince is moved to that opera page (#587619).
The opening piece of act I (cavatina of the Duke with Rustighello and chorus) is missing. Both versions of the finale are present, but Gennaro's arioso (in the so-called 'new' finale) is cut significantly. The manuscript (or its parts) was used for a 'Turkish' performance of the opera (titled Dalinda; Paris 1840?): the names and text are changed in some pieces (Acmet = Duca, Dalinda = Lucrezia etc.).
The original 2 volumes are completely messed up. Vol.1 contains the Prologue of Lucrezia Borgia, additional (brass and percussion) scores for the whole opera and Finale I of Chi dura vince by Luigi Ricci. Vol.2 contains acts I and II of Lucrezia Borgia and additional score for the chorus from act I (Qui che fai? — Non far motto). The order of the pieces in vol.2 is chaotic. In the #587618 file they are reordered properly; the finale of Ci dura vince is moved to that opera page (#587619).
The opening piece of act I (cavatina of the Duke with Rustighello and chorus) is missing. Both versions of the finale are present, but Gennaro's arioso (in the so-called 'new' finale) is cut significantly. The manuscript (or its parts) was used for a 'Turkish' performance of the opera (titled Dalinda; Paris 1840?): the names and text are changed in some pieces (Acmet = Duca, Dalinda = Lucrezia etc.).
Ricordi, n.d.(ca.1894).
出版社
Milan: Ricordi, n.d.(ca.1894). Plate 96570.
復刻版
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A5738.
その他の注記
Structured in 3 Acts but this is still the 2 Act Original.
Ricordi, n.d.(ca.1894).
出版社
Milan: Ricordi, n.d.(ca.1894). Plate 95247.
復刻版
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A5738.
その他の注記
Structured in 3 Acts but this is still the 2 Act Original.
Holograph manuscript, n.d.[183-?].
出版社
Holograph manuscript, n.d.[183-?].
その他の注記
This file is part of the Submission Project.
Manuscript, n.d.(after 1715).
出版社
Manuscript, n.d.(after 1715).
その他の注記
Campobasso, Biblioteca provinciale P. Albino, IT-CB0007
"Cabaletta scritta a Parigi in seguito alla romanza Com' è bello". The first Paris performance of the opera was in 1840.
"Cabaletta scritta a Parigi in seguito alla romanza Com' è bello". The first Paris performance of the opera was in 1840.
Holograph manuscript, 1833-48.
出版社
Holograph manuscript, 1833-48.
その他の注記
Bergamo, Archivio del Museo donizettiano, BG0385.
Manuscript, n.d.(ca.1840-60).
出版社
Manuscript, n.d.(ca.1840-60).
その他の注記
Naples, Biblioteca del Conservatorio di musica S. Pietro a Majella, IT-NA0059.
The original 2 volumes are completely messed up. Vol.1 contains the Prologue of Lucrezia Borgia, additional (brass and percussion) scores for the whole opera and Finale I of Chi dura vince by Luigi Ricci. Vol.2 contains acts I and II of Lucrezia Borgia and additional score for the chorus from act I (Qui che fai? — Non far motto). The order of the pieces in vol.2 is chaotic. In the #587618 file they are reordered properly; the finale of Ci dura vince is moved to that opera page (#587619).
The opening piece of act I (cavatina of the Duke with Rustighello and chorus) is missing. Both versions of the finale are present, but Gennaro's arioso (in the so-called 'new' finale) is cut significantly. The manuscript (or its parts) was used for a 'Turkish' performance of the opera (titled Dalinda; Paris 1840?): the names and text are changed in some pieces (Acmet = Duca, Dalinda = Lucrezia etc.).
The original 2 volumes are completely messed up. Vol.1 contains the Prologue of Lucrezia Borgia, additional (brass and percussion) scores for the whole opera and Finale I of Chi dura vince by Luigi Ricci. Vol.2 contains acts I and II of Lucrezia Borgia and additional score for the chorus from act I (Qui che fai? — Non far motto). The order of the pieces in vol.2 is chaotic. In the #587618 file they are reordered properly; the finale of Ci dura vince is moved to that opera page (#587619).
The opening piece of act I (cavatina of the Duke with Rustighello and chorus) is missing. Both versions of the finale are present, but Gennaro's arioso (in the so-called 'new' finale) is cut significantly. The manuscript (or its parts) was used for a 'Turkish' performance of the opera (titled Dalinda; Paris 1840?): the names and text are changed in some pieces (Acmet = Duca, Dalinda = Lucrezia etc.).
Ricordi, n.d.(ca.1894).
出版社
Milan: Ricordi, n.d.(ca.1894). Plate 96570.
復刻版
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A5738.
その他の注記
Structured in 3 Acts but this is still the 2 Act Original.
Ricordi, n.d.(ca.1894).
出版社
Milan: Ricordi, n.d.(ca.1894). Plate 95247.
復刻版
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A5738.
その他の注記
Structured in 3 Acts but this is still the 2 Act Original.
Holograph manuscript, n.d.[183-?].
出版社
Holograph manuscript, n.d.[183-?].
その他の注記
This file is part of the Submission Project.
Manuscript, n.d.(after 1715).
出版社
Manuscript, n.d.(after 1715).
その他の注記
Campobasso, Biblioteca provinciale P. Albino, IT-CB0007
"Cabaletta scritta a Parigi in seguito alla romanza Com' è bello". The first Paris performance of the opera was in 1840.
"Cabaletta scritta a Parigi in seguito alla romanza Com' è bello". The first Paris performance of the opera was in 1840.
Holograph manuscript, 1833-48.
出版社
Holograph manuscript, 1833-48.
その他の注記
Bergamo, Archivio del Museo donizettiano, BG0385.