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Tchaikovsky, Pyotr

Tchaikovsky, Pyotr

Suite No.2, Op.53

1883

•

5 movements

詳細情報

楽譜

演奏

総譜

Suite No.2, Op.53
Suite No.2, Op.53

Public Domain

P. Jurgenson, n.d.[1884].

校訂者

First edition

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作権

Complete Score

P. Jurgenson, n.d.[1884].

校訂者

First edition (reprint)

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作権

Complete Score

Muzgiz, 1948.

校訂者

その他の注記

Includes an appendix (from p. 212) with extracts from the last 3 movements that appear in the autograph score but not the printed editions. ("Tchaikovsky Research: Jurgenson's engravers' markings in both manuscripts shows that they [the cuts, which amount to 327 bars in all, discovered by a comparison by editor Karpov) must have been made after the suite was originally engraved").

著作権

Complete Score

Suite No.2, Op.53
Suite No.2, Op.53

Public Domain (dedicated)

Brandon Amaro, 2025.

校訂者

Brandon Amaro (b. 1984)

出版社

Brandon Amaro, 2025.

著作権

Public Domain (dedicated)

Complete Score

Suite No.2, Op.53

1883

•

5 movements

詳細情報

P. Jurgenson, n.d.[1884].

校訂者

First edition

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作権

P. Jurgenson, n.d.[1884].

校訂者

First edition (reprint)

出版社

Moscow: P. Jurgenson, n.d.[1884]. Plate 5862.

著作権

Muzgiz, 1948.

校訂者

その他の注記

Includes an appendix (from p. 212) with extracts from the last 3 movements that appear in the autograph score but not the printed editions. ("Tchaikovsky Research: Jurgenson's engravers' markings in both manuscripts shows that they [the cuts, which amount to 327 bars in all, discovered by a comparison by editor Karpov) must have been made after the suite was originally engraved").

著作権

Suite No.2, Op.53
Suite No.2, Op.53

Public Domain (dedicated)

Brandon Amaro, 2025.

校訂者

Brandon Amaro (b. 1984)

出版社

Brandon Amaro, 2025.

著作権

Public Domain (dedicated)