This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in 詳細情報.
楽譜
楽譜
Longman & Broderip, n.d.(ca.1787).
編曲者
Samuel Arnold (1740-1802)
出版社
London: Longman & Broderip, n.d.(ca.1787).
その他の注記
Nanki Ongaku Bunko (J-Tn): RISM A/I: H 4061
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in 詳細情報.
Longman & Broderip, n.d.(ca.1787).
編曲者
Samuel Arnold (1740-1802)
出版社
London: Longman & Broderip, n.d.(ca.1787).
その他の注記
Nanki Ongaku Bunko (J-Tn): RISM A/I: H 4061
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.