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Vivaldi, Antonio

Vivaldi, Antonio

Concerto for Strings in G major, RV 151

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3 movements

詳細情報

楽譜

演奏

総譜

Concerto for Strings in G major, RV 151
Concerto for Strings in G major, RV 151

Public Domain

Holograph manuscript, n.d.(ca.1701-41).

出版社

Holograph manuscript, n.d.(ca.1701-41).

その他の注記

Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v

著作権

Complete Score

G. Ricordi & C., 1949.

校訂者

出版社

Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.

著作権

Complete Score

(外部リソース)

Eulenburg, n.d.

校訂者

Felix Schroeder (1908–1976)

出版社

Leipzig: Eulenburg, n.d. MPR

復刻版

Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.

著作権

Complete Score

Concerto for Strings in G major, RV 151
Concerto for Strings in G major, RV 151

Alonso del Arte.

出版社

Alonso del Arte

その他の注記

The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.

著作権

Complete Score

Concerto for Strings in G major, RV 151

3 movements

詳細情報

Holograph manuscript, n.d.(ca.1701-41).

出版社

Holograph manuscript, n.d.(ca.1701-41).

その他の注記

Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v

著作権

G. Ricordi & C., 1949.

校訂者

出版社

Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.

著作権

Eulenburg, n.d.

校訂者

Felix Schroeder (1908–1976)

出版社

Leipzig: Eulenburg, n.d. MPR

復刻版

Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.

著作権

Concerto for Strings in G major, RV 151
Concerto for Strings in G major, RV 151

Alonso del Arte.

出版社

Alonso del Arte

その他の注記

The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.

著作権