楽譜
演奏
総譜
Bärenreiter-Verlag, 1975.
校訂者
Marius Flothuis (1914–2001)
出版社
Neue Mozart-Ausgabe, Serie V, Werkgruppe 15,
Band 4 [NMA V/15//4] (pp.67-136)
Kassel: Bärenreiter-Verlag, 1975. Plate BA 4572.
Band 4 [NMA V/15//4] (pp.67-136)
Kassel: Bärenreiter-Verlag, 1975. Plate BA 4572.
その他の注記
scan: score scanned at 600dpi (High Quality Scanning)
Holograph manuscript, 1784.
出版社
Holograph manuscript, 1784.
その他の注記
The manuscript was cropped for binding at some point, and the remnants of Mozart's foliation can be seen on some of the leaves.
Breitkopf & Härtel, 1878.
校訂者
Series XVI editors (exact editor not specified)
出版社
Mozarts Werke, Serie XVI, Bd.2, No.15 (pp.1-44 (241-84))
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
Breitkopf & Härtel, 1878.
出版社
Mozarts Werke, Serie XVI, Bd.2, No.15 (pp.1-44 (241-84))
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
復刻版
Mineola: Dover Publications, 1987.
Gory.
Michael Pfitzner, 2022.
Bärenreiter-Verlag, 1975.
校訂者
Marius Flothuis (1914–2001)
出版社
Neue Mozart-Ausgabe, Serie V, Werkgruppe 15,
Band 4 [NMA V/15//4] (pp.67-136)
Kassel: Bärenreiter-Verlag, 1975. Plate BA 4572.
Band 4 [NMA V/15//4] (pp.67-136)
Kassel: Bärenreiter-Verlag, 1975. Plate BA 4572.
その他の注記
scan: score scanned at 600dpi (High Quality Scanning)
Holograph manuscript, 1784.
出版社
Holograph manuscript, 1784.
その他の注記
The manuscript was cropped for binding at some point, and the remnants of Mozart's foliation can be seen on some of the leaves.
Breitkopf & Härtel, 1878.
校訂者
Series XVI editors (exact editor not specified)
出版社
Mozarts Werke, Serie XVI, Bd.2, No.15 (pp.1-44 (241-84))
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
Breitkopf & Härtel, 1878.
出版社
Mozarts Werke, Serie XVI, Bd.2, No.15 (pp.1-44 (241-84))
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 450.
復刻版
Mineola: Dover Publications, 1987.
Gory.
Michael Pfitzner, 2022.



